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Sunday, June 4, 2023

Odessa |8x03| Fear The Walking Dead

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PADRE is a LIE! …or is it? The show not only finally reunites Daniel Salazar with both June Dorie & Madison Clark, but takes a peek behind Oz's curtain on PADRE's nouveau raison d'รชtre - and I get the feeling some of you might think the means might justify the ends.
Since this was a ๐Ÿ”ดLIVE recording, there is no unedited episode recording available; however, you should always follow us for free on Ko-fi or Patreon to access our free-to-attend recording sessions (we don't post our schedule publicly on Social Media). If you'd like to support us and receive past and future Unedited Episode/Interview Recordings๐Ÿ’‍♂️tip us to receive 30 days of supporter-backed content on Ko-fi or join a membership tier on either Ko-fi or Patreon to receive exclusive perks and updates (as well as ๐Ÿ—ฏ️Discord access)!

David Cameo:
Rachael Burt:
Sherrandy Swift:
Bridget Mason-Gray:

  • We will hopefully livestream our thoughts and feelings on our recent return from The Camp (hopefully, by the time we've all physically recovered), but we wanted to leave you with the coolest thing to have happened (besides the two panels we moderated) and that's this incredible comic book cover inspired poster of us commissioned by ๐Ÿ…SURVIVORS Tier Member, Aliza Jones, created by none other than Kirk Manley! You may remember the interview we conducted with him, back when he was promoting his simultaneous return and virtual exhibition of his tribute art around the time The Walking Dead had just finished dropping the first few episodes of Season 11.
  • ๐ŸงŸWALKERS Tier Member, Benjamin Scotford, weighed in on the cinematography & VFX of this episode. We managed to watch this episode together, in the hotel room, just before we had to leave the next day, which was really special - though Dave revealed his ornery side during the attempt.
  • Sherrandy thought this episode was definitely better than the 1st episode, but obviously can't compete with the second. Although we have to emphasize that she enjoyed this episode, it was hard for her to comprehend some of the more nonsensical writing/dialogue choices... especially when it makes her have to defend Madison Clark (not being her fault that Dove's/Odessa Sanderson's mother, Ava Sanderson, died) and having to put up with Shrike/Samantha Krennick blaming June Dorie for Finch being bitten.

  • On the lighter side, everyone loved the light-hearted reveal of Daniel Salazar drinking out of his yerba mate cup. In both a nonsensical/unintentionally humorous way, Sam & Ben Krennick / Crane being lost in the maze of shipping containers made them chuckle a bit. In somewhat the same fashion, Finch responding well to June's radiation therapy yields mixed reactions - for more on what this means for The Walking Dead Universe, read Kirsten Acuna's interview with the show-runners:

  • Emily thinks there should be a drinking game every time a character mentions the 7-year time-skip; however, we've noted in the previous episode how much we appreciate that they do, simply because it's easy to slip: the events of last season feel as though they had only just occurred.

  • Rachael, too, enjoyed this episode, overall. We received more information and moved the story forward. Even though the flashback to just after the zombie apocalypse was slightly hokey, it was cool to see a younger Shrike. While she thought the death of General Krennick (Sam & Ben's father) was somewhat ridiculously underwhelming, Sherrandy thought it was akin to the self-immolation of protesting Buddhist Monks.

  • Bridget thought this episode was passable, but really loved seeing Daniel (her favorite character), again. She, too, echoed Rachael's thoughts about Gen. Krennick's oddly stoic death. Although she agrees with Sherrandy's assessment that this episode had some poor writing choices, it at least properly staged future episodes. Oh yeah, and Troy Otto: you are not the PADRE. Neither is Tobias, who is not even important enough to include in WalkerWyn's tribute poster to Fear The Walking Dead.
  • Dave brings up what appears to be the theme of this episode (and perhaps the final season, or at least the first half): Madison can't bring herself to tell the children the truth about PADRE, given everything she's done over the last several years and remembering that she was the one who took Odessa from her mother. June only emphasizes these feelings by telling her that Nick Clark & Alicia Clark were never the same after Madison disappeared. Parents dealing with the loss of their children and children dealing with the loss/abandonment of their parents come to a head.

  • The main question here is - setting aside some of the more questionable decisions PADRE has made and given the fact that both Sherrandy & Rachael have both said children should be capable (like Judith Grimes, less like Aaron's daughter, Gracie) - is what PADRE doing all that bad? The main gripe seems to be that it might've been more motivational for the children to have been told that their parents died over having been abandoned. Bridget can't deny that Shrike & Crane's lived experience (losing their father in the manner they did, right at the start) is what motivated their well-intentioned decision-making. I suppose their single-parent father should've introduced spanking/corporal punishment?

  • Given the fact that PADRE doesn't take in parents, with the rare exception of Dwight / Redkite & Sherry / Starling, because they won't go along with the program, plus Daniel failing their intake procedures - along the lines of his age and ostensive usefulness - it's quite possible that Wendell, too, might've suffered the same fate as Daniel and Sarah Rabinowitz would never have never abandoned him if she could help it (and certainly would've never followed their program). The positive side, here, is that at least it's possible that neither of them died, even though they've been effectively written off the show.

  • Chris Gonzales asks how Dove couldn't remember her mother, but it wasn't until after the episode that I realized that, if Madison had snatched her from Ava right around the time she survived The Dell Diamond, she would've already had a few years on Baby Moe / Wren and would be a few years older than her, already (on top of the fact that is seems as though she was snatched-up at around age 3~5, if you look at her intake photo, above).

  • Dave offers a different perspective on the show's writing, thus far: it feels as though the show is attempting to give us as much information as possible in the short span of time we have to tell the story. The end result, really, feels like sides are changing too rapidly and twists lose their impact. We're not given enough time to feel the weight of the story bearing out. In other words, less would've been more. As the ladies say, it reads a lot like the improv game, Yes, and?

  • The end result of all this is that, in truly unprecedented fashion (because, as bad as the writing can sometimes be, the twists were always pretty surprising), we all predicted that at least Shrike was PADRE: the fact that they went into her backstory with Ben and her father only confirmed our suspicions, so the reveal was pretty lackluster rather than mind-blowing.

  • Keeping in mind that PADRE's raison d'รชtre is motivated from childhood trauma, Shrike's lies frustrate Bridget & Sherrandy the most, specifically the claim that PADRE saved Finch (after placing his life in jeopardy to begin with). What justifies the sacrifice, to them, is that they are now one step closer to making it possible for these children to reunite with their parents; therefore, in their own minds, they saved all the Finches.

  • Dave mentions how, when you see the Krennick family in the flashback, you are supposed to see them as a mirror to The Clark family: similar family structure, different background and circumstances. It's all meant to illustrate that the fall and the tragedies that subsequently occur will shape the individual family members in different ways. So when it was revealed that Sam & Ben were, essentially, PADRE, and that their primary motivation was to prevent children from losing their parents, Dave felt super sad for them: they too are trying to recreate the the conditions that went wrong in their lives in order to right them, much in the way our protagonists have - not only in this season, but in seasons past.
  • Dave mistakenly used the wrong word, nitpick, in trying to explain how we always do our best to see what the writers of the show are trying to do, which is what tripped up the ladies: it brings up some of the arguments we went through in the first episode, mostly how stupid we feel, now that the writing seems lackluster, having defended the show when (we thought) the writing wasn't as bad as everyone was saying. God bless the actors: they're doing the best they can with what they have.

  • Bridget moves on to focus on how really good the walkers have looked in general, this season - not just the horde during the end scene or the fresh walkers in the 12 year old flashback. Save for the Walker Adrian head in the last episode, the show has been marvelous in terms of cinematography and VFX - as Ben had said, earlier - but it also managed to make walkers feel dangerous again, evoking the horror element that The Walking Dead had done in the last season with the introduction of variants. Most people either laughed or thought the walker head under the burlap sack was a little of an unusual choice, but Dave liked it: it had this whimsical creepiness to it that reminded him of Black Mirror's logo.


  • Going back to Daniel, Dave loves the part where he mentions to Madison how hard he was trying to, but ultimately couldn't keep is promise to stay with Charlie (until the end) & Luciana Galvez, just like he tried to do with Ofelia Salazar. It really highlights the common thread that all of our protagonists seem to have with the stacks of losses they've endured, losing both actual and found-family. It would pain Sherrandy not to mention the fact that Madison reuniting with Naomi was pretty underwhelming. And we would all be remis if we failed to mention the nod to how it all went down when Ben mentions, in the flashback, how both Atlanta, Georgia & Los Angeles, California were bombed (a la Project Cobalt).

  • Even though June seems fine, we know that she's not fine, especially by the end of the last episode and definitely after it's revealed that Shrike and Crane are PADRE. How much darker might June get? What will she cut off next, Shrike's hair, perhaps? Which leads to the ridiculous wig Dave wore during both parties at The Camp and how he sort of looked like Shrike. (which is interesting because Maya Eshet, who plays Shrike, is Israeli). But anyway, who wore it better?


  • So Madison claims that both she and Daniel can't be the leader they need, much to the disbelief of many a viewer. Upon further examination, it's not about leading the parents to victory (which Daniel is more than capable of doing) but what comes after: being the bridge between the parents and their children. Sure, Morgan Jones, since he only took children who were either left to their own devices or whose parents lacked the resources to take care of them, but why not Wren/Mo? She really stood out, this episode, and even managed to win over Rachael.

  • Sherrandy had mentioned that since June's right index/trigger finger was cut off, she'd be shooting with her right middle finger, instead. As skeptical as Dave was about that and how she might opt to shoot southpaw, the show does, in fact, show Jenna Elfman shooting the PADRE goons with her middle finger. Dayum, June.

  • More than just June's bad-assery, we love that she continues to listen and absorb, rather than react. It falls in line with where her character is at, in the present moment. On the other side, we kind of like that Madison is feeling the weight of everything that's led her up to this point, which shows growth. Neither have really changed from the core of their being, but there's a richness to where they are presently at, mentally and emotionally. And, of course, the look both these characters have when they learn that Daniel is leading the parents resistance is priceless. Worth noting: the resistance might just benefit from the 5-finger-sale of weapons June confiscated from all the PADRE goons she nabbed trigger fingers from all these years.


  • It was mentioned that the Series Premiere of The Walking Dead: Dead City would take the time slot of what would've been the Midseason Finale of Fear The Walking Dead. We don't know what this exactly means for the latter, at all, for now (different air date? time?).

  • Along with cool callbacks and walkers, the flashback to 12 years ago also showed us a little more about PADRE's original mission, which was to rebuild not only The United States, but probably the world, given that a few of the shipping containers we see were marked Polar and Desert. Editor's Note: upon further examination, these were also callbacks to both seasons 4 & 5, as well - the callsigns for both Clayton and Logan were Polar Bear and Desert Fox, respectively.

  • Bridget notes the irony of Gen. Krennick's children doing the opposite of PADRE's intended mission, breaking apart families rather than getting the world back on track. Sherrandy notes the Buster Bluth (from Arrested Development) nature of Ben, attempting to get his father's binoculars back to him, having at least some knowledge of the dangers that are out there.

  • It's time to talk about the meaning and symbolism of the birds, this episode:
    • (Midspotted) Woodpecker: represented in different mythologies: Norse, Roman, Celtic, and even Native American. Norse: the sound Thor's hammer, Mjรถlnir, makes; Roman: The God of War, Mars, and the use of manure in fertilization; Celtic: sign of rain; Native American: friendship and happiness. The last one brings up the tale of an unlikely pairing with specifically the midspotted woodpecker, with its fiery red head, and a coyote. In the Native American Zodiac, woodpeckers are caretakers and kindhearted. In the bible, it represents God's existence and might, due to the nature of the woodpecker using it's head and beak to peck wood to get at burrowing inspects without causing it injury.
    • Crane: First off, it behooves us to mention that the etymology of the last name Krennick comes from the German root surname Kron, meaning Crane. Grace: recovering from tragedy gracefully; Devotion/Faithfulness to PADRE, or at least the spirit of it; Travel: maybe they will somehow find a way to honor the intended vision of PADRE; Open-mindedness: well, maybe Ben or Sam will somehow change course; Aspiration: maybe goes off the heels of open-mindedness and perhaps they might find new purpose; Longevity: perhaps referring to what seems to be this new lease on zombie apocalypse life, with the ability to neutralize walker bites; Immortality: well, technically, the walkers do shuffle on indefinitely; Transformation: this brings up the question of whether Ben, like our protagonists, might find a way to take a step forward, out of the shadow of tragedy, to be something else? Regardless of the reason why Sam, he, and their father ended up surrounded by walkers, it's possible that their father would've died, regardless, and the fact that they were there when he died was a grace.
    • Hawk: Intelligence: they use tools and strategy; Independence: though they mate for life, they will part to hunt for food and will leave the nest once the chics are old enough; Adaptability: they will hunt anywhere and eat anything; Messages: They have the ability to see the big picture by way of decompartmentalizing; Clairvoyance/Spiritual Awareness: hawks have incredible eyesight, which has been mythologized in that they can see beyond the material into the spirit realm. As far as what this means for PADRE's (teenage) Prefects, who knows?
  • On the note of whether Ben might find a means towards some sort of transformation, Sherrandy has her doubts that the show will even bother exploring it. Lately, the villains on both The Walking Dead and Fear The Walking Dead haven't had as much depth to them. We explore their depths, as a podcast, but the show doesn't dig as deep to discover them - and their potential - as much as we do. Speaking of, this conversation brought up these two incredible companion podcasts exploring both The Dakota Dilemma and what could've been an excellent Ginny origin story in Finding John Dorie Sr. We highly recommend checking them out!


  • We note an upsetting similarity to The Civic Republic Military in the way Shrike is willing to, yet again, place the children under her care in danger - to prove a point and stop the parents of these children from getting to them - by way of releasing thousands of Carrion they've collected over the years onto the island. In the realm of odd haircuts, it makes sense that Shrike and Warrant Officer Anne "Jadis" Stokes are at least very similar, if not in cahoots.

  • At the beginning of the episode, June repeats to Madison something similar to what Morgan had said to Alicia, in Season 4, when she was trying to kill June, "I left you once at the stadium and you saved us all. I will not leave you now."
    Morgan, "I stepped aside for your brother. I will not step aside for you."
    All of this is beautiful enough: to not step aside and give up on someone when they are about to make the biggest mistake of their life. But Dave uses it as a way to bring up Morgan's and Madison's regret over stepping aside for Ava, after warning her that going after PADRE to retrieve Odessa will mean certain death. Though there is a lot of blame for Ava's death to go around, it may be another brick in Madison's knapsack of guilt when she decides to stay silent and not tell the truth about PADRE to the children.

  • The audience has spoken: Emily & David Carranza both love it when Dave monologues/goes off on a yarn. Suck it, again, Bridget!
  • It's possible that the issue of Daniel's memory problems will return or be further explored but, just like some of characters who typically disappear on this show, it's possible they won't take the time out to properly resolve one of the more tragic sub-plots that appeared in both Season 6 and Season 7.

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Saturday, May 27, 2023

Blue Jay |8x02| Fear The Walking Dead

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We've gone through the one-way mirror and peered through the other side of where #JuneDorie is, right now, and - not gonna lie - it's dark in here. #FearTheWalkingDead is taking a potential gamble with some subplots revealed in this episode and we are eager to see how this is going to play out.
The UNEDITED version of this episode discussion is TWICE as long and goes a little deeper on some subjects YOU might find pretty interesting! There's only one way to stream it and that's by supporting us, here:

David Cameo:
Rachael Burt:
Sherrandy Swift:
Bridget Mason-Gray:

  • We've really updated our merch store! ALL designs are 20% until the end of the day, but keep visiting our store as there's always some sort of discount! TeePublic orders totaling $80+ will receive FREE SHIPPING.
  • Phineas Coffeeis delicious, top-tier, specialty-grade coffee that's roasted to order! LEVEL-๐Ÿ†™ your coffee game! SQUAWKING DEAD fans receive 10% off every time they use the promo code "SQUAWKINGDEAD" at check-out: https://www.phineascoffee.com?aff=581
  • Overall, both Bridget and Rachael liked this episode, with some minor gripes we will tackle later on. It's great that we're reminded of the 7-year time jump, every now and again, because it's easy to forget, especially with Finch, since we never got to see him as a baby. Also, these kids are so big because of radiation from Season 7.


  • Sherrandy would've had a more subdued reaction to last episode had she seen this episode beforehand, for all the reasons we went through in our last breakdown. Getting to see a darker version of June Dorie made her stand up and squeal during some scenes. As twisted as she's become, she hasn't resorted to murder.

  • Bridget really enjoyed how the series remembered all the aspects of June's character and how they dictated her actions. As much as Sherrandy wanted June to break bad, the show did it in measured ways that she wouldn't have, which made what she saw even more satisfying.

  • Rachael understand why June takes the trigger fingers of PADRE's people; however, keeping them in a jar? Bridget says June is just using it as a means to keep count. Sherrandy compares it to Daryl Dixon's walker ears necklace. Dave says she does it because it's a reminder that she's making an incremental difference, even if it's mostly symbolic. Maybe the next doctor won't be threatened the way she was to hurt others the way she was made to. It's her answer to Adrian: this is her reason to live.


  • On the note of reasons for living, the routine/ritual of amputating fingers is something that keeps her going, too. It's a much more twisted version of the opening scene of Laura (4x05), with John Dorie cleaning his pistols at the start of the episode, along with all of his various other routines. Just like John's reason for hiding from the world, accidentally killing the perpetrator he was trying to subdue, June hides from the world after failing to save Hannah.

  • Sherrandy reminds us that it's also a repeat of what happened when she left her daughter, Rose, at the FEMA camp: she was sick and ended up dying and killing everyone there as a walker. Hannah was a chance at maybe getting a win. Just as June did at the FEMA camp, with Victor Strand and Madison Clark, June was apologizing to the former patient walkers in the train cars. To bookend that, Rose's bracelet is visible on June (and you can't help but see it when Adrian shows June his own bracelet).

  • Dave takes a moment to compare all this to Morgan Jones' admission to Madison at the end of this episode: the thing he was supposed to do might've been to put down either or both Jenny Jones and/or Duane Jones. What's most important to remember is that Morgan's inability to put down Jenny was the cause of Duane's demise.

  • To continue the theme, as far as Madison knows, Alicia Clark might well be a walker, wandering the world, as well. June's therapy to stave off Hannah's infection is based on what kept Alicia alive for so long. Sherrandy reminds us that the addition of having had irradiated walker blood splattered on her face in Season 5 could've plaid a part, even though Thomas reminded us that it's very unlikely.

  • Sherrandy reminds us that Carol Peletier also felt like she needed to be away from the world after so much killing, which is also a John-ism (Season 6). June finally gets a win by treating Finch's appendicitis, after her patient Malcom, from Season 6, lost his life.

  • On that note, June's decision to save Sherry & Dwight over completing Finch's appendectomy was very telling. Dave, Bridget & Sherrandy think what Adrian says is right and that it's because she'll just end up killing him like Hannah & Rose. Rachael isn't convinced and says it's because June just wants Finch to be with her parents.

  • Sherrandy loved the symbolism behind the state of June's hair in different scenes: she's mostly wearing her sad hair, but did put it back when she was performing her finger removal - her of service hair.

  • June's demeanor completely changes when Dwight & Sherry make their plea for her to join their family. She probably hasn't had anything close to that since treating Charlie (who - you have to remind yourself - passed away 7 years ago). When Shrike and other PADRE members accost her and remove her finger, after we acknowledge our heartbreak, our first thought was how much that limits her ability as a doctor.

  • It's repeated often how PADRE's never lost a child (even from a very convinced Dwight, during this episode), yet we've seen that PADRE has not only lost Hannah and, in some senses, Mo. They're also willing to risk losing Finch to find a cure.

  • June's fingernails in this episode are absolutely filthy. More so, the sign she makes with a map from the area shows that they might be near Lynchburg, Virginia... or somewhere off the Gulf of Mexico.
  • Speaking of Mobile, Alabama, Dwight's air-freshener surprise for Finch, before he's operated on, is a call-back to last season, when Dwight makes a mobile out of carwash items and bent coat-hangers for Baby Mo during their escape from Wes.

  • And speaking of Finch, it's quite possible that his intended given name was John, simply based off of Athena and Grace Mukherjee's shared dreamscape where we see younger versions of Dwight and Sherry's kids. I think we like the name Finch, anyway, for a variety of reasons, mostly Atticus Finch from To Kill a Mockingbird.

  • Speaking of mockingbirds, that was Daniel Salazar on Adrian's radio, (knowing him) leading the resistance against PADRE. Oh Little Finger from Game of Thrones... PADRE's collectors just live, but don't really know much about PADRE.

  • It may have been enough that they held a walker Hannah over June's head to make her continue her experiments, but Sherrandy posits that they may have incentivized her with Wendell & Sarah Rabinowitz's lives. We retread the events that led June down this path, for clarification, because Rachael isn't so convinced.

  • In addition to all this, all PADRE wants is children and would have no use for Wendell. Furthermore, it's possible that Hannah getting bit on the mainland was just a smokescreen to rid them of a child with a chronic condition (asthma), which could be a sign that PADRE only wants fit children. What use would they have with an adult in a wheelchair?

  • This takes us back to Morgan and how putting down Duane (and/or Jenny) might not be enough for him to feel like he can rescue and become the father Mo deserves and that maybe he, too, has lost one of the people we haven't seen since last season. Furthermore, why keep Morgan (and Madison) around after all the trouble he (they) caused? Why did they even allow him to become a collector to begin with?

  • For so long, Dwight and Sherry witnessed PADRE's results, firsthand, which is why they intended to go back. Yes, they've been away from one another, as a result, but Finch was safe, fed, and has grown strong. Just being together started getting Sherry to think that maybe they could do this on their own and once they saw the awful experiments they were performing, it was enough to not want to relive The Sanctuary all over again.

  • What is this next phase of PADRE? Are they training these eggs to fight The Civic Republic (Military)? The CRM do use walkers to demolish whole cities and PADRE's children are trained in fighting walkers. Sherrandy points out Madison's observation about their endless supply of gasoline, which might point to a connection they have to CRM. But what happens to the older children?

  • PADRE hasn't lost a kid yet sounds a lot like Disneyland's claim that no one has died in one of their parks.
  • We take a moment to compare the CGI walker head of Adrian to the infamous CGI Deer on The Walking Dead (yes, the deer is worse). Dave also points out that not all of it was CGI, which sounds really funny when you know it's the actor munching on Finch's shoulder (especially in the manner that it's doing it). Bridget thought the whole process of mechanically lowering the head was so stupid.

  • More than just that, the possibility of the cure bothers Bridget & Dave. Sherrandy loves the idea of June saving the world. Rachael mentions that Sherry's irradiated womb gave Finch a built-in immunity. Dave shows everyone how the longest surviving patient June treated without succumbing to infection - according to the charts Sherry reads - is 9 days, 14 hours.
  • Dave had an issue emotionally connecting with the moment Finch is bitten, even though he logically knows what he means to Dwight, Sherry, and even - to a certain extent - June. The ladies remind him that (not only is this the first time we - the audience- have seen Finch, but) Dwight & Sherry, themselves, don't get to see Finch as often. After meeting him for the first time in this episode, if not done right, you don't have enough of an emotional investment in what should ostensibly be Finch's death sentence.

  • What's more horrifying is that June has to go through losing yet another child she actually saved and we're left on that cliffhanger by the end of the episode - on top of Shrike savagely (rather than meticulously) cutting off her finger and resuming her torturous "treatments" on Finch and even more infected children.

  • Was one of the tools in June's medical bag meant for circumcision (but really handy in performing a dactylectomy)? Funny conversation ensues. Poor Theon Greyjoy on the receiving end of the whole schmagadoo.

  • The meaning of the following birds mentioned in this episode:
    • Warbler & Whistler: both reference PADRE soldiers. They are both spiritual messengers carrying divine messages from their plane to ours. They are both gift-bringers. Whistlers remind us to trust our gut and call upon our inner wisdom, along with comforting us after battle and to remain humble rather than boastful. Warbler remind us to embrace the new and to not be afraid to step out of our comfort zone, rather than feel stuck in a rut.
    • Redkite / Dwight: Hope and Change. A Redkite is able to quickly change course in mid-air. It reminds us that we can handle whatever life throws our way.
    • Starling / Sherry: Shapeshifters. They appear black in the distance but are actually an iridescent Green/Purple up close (and depending on how they catch the light). They are not native to the United States. They are co-parenting, social birds that remind us to take inventory of the people we have in our lives and consider cutting out anyone who negatively influences you (check out the link to see what a Starling's colors mean).
    •  Finch (Dwight & Sherry's son): They represent freedom, ascent, and one's true north (their true purpose). They are rife with potential, but equally vulnerable - especially if they have no where else to go.
    • Blue Jay / June: Bossy and aggressive, but mate for life and are extremely loyal. Their feathers are actually brown, but appear blue in the sunlight. Though loud, aggressive, and mean, but they symbolize strength, their confidence in defending others, and authentic communication. They are a reminder to stop judging yourself (or allowing the judgment of others affect you) due to mistakes or misdeeds from your past and embrace your true self to move forward.
  • Sherrandy relays a story about how a blue jay broke out of their cage, stole some food, and brought it back to feed their mate. Dave reminds everyone of a conversation they had a few episodes after June loses John and how he doesn't want her to live in her loss. The ladies pivot to say that she doesn't need a man to feel like she's part of a family.
  • More than anything, it's hard to see June alone in the world. For a long while, she had so many folks to look after and seeing her like this is pretty heart breaking. A Targaryen alone in the world is a terrible thing.

  • Dave brings up a terrifying prospect: it's entirely possible that she's removed a finger from one of our surviving protagonists, since she didn't do a great job of checking their identities (it's super hard to avoid seeing Dwight's facial burns).

  • Adrian saved me so that I could find someone to live for. And yet, by the end of this episode, is that true? If she even saves Finch, what does that mean for The Walking Dead Universe, on the whole? And assuming she can't (which is most likely), what becomes of her now that she's lost 3 children she cares for? People that she had or considered family?

  • We take a minute to both appreciate the feelings that were conveyed and backtrack on some of the more harsh takes from the last episode, since having received this episode. If nothing else, this episode is a sign that Fear The Walking Dead could go in a radical direction and at least land on some pretty interesting storytelling.

  • Bridget reminds us that, yet again, we are introduced to and lose a character (or characters) in the same episode. When it becomes this predictable/inevitable, maybe it's time to change the formula.

  • Almost forgot: June tells Dwight, Sherry, and Adrian that Shrike didn't allow June to put Hannah to rest when she succumbed to her infection because she wanted to see how long it would take for her to turn: this was one of the first things we learned about Troy Otto when we first meet him, which lends even more credence to the possibility of seeing him, again, in some fashion... as frustrating as the possibility this might be. Sherrandy reminds us that the CRM experiments in The Walking Dead: World Beyond were very similar: they were trying to make it so that people wouldn't reanimate after dying.

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