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Showing posts sorted by relevance for query Daryl. Sort by date Show all posts
Showing posts sorted by relevance for query Daryl. Sort by date Show all posts

Tuesday, October 24, 2023

Coming Home |SEASON ONE FINALE| The Walking Dead: Daryl Dixon

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If home is where the heart is, what happens when your heart is torn in two? There's breaking the cycle (of melodrama) and completing a long broken circle in the Dixon line. Where Daryl Dixon goes from here is anyone's guess!
Since this recording was livestreamed, there's no unedited version of this podcast; however, support our work! Tip us or consider joining a membership tier on either Ko-fi or Patreon for as little as $1 /month!

David Cameo:
Rachael Burt:
Sherrandy Swift:
Bridget Mason-Gray:

🎖SURVIVORS TIER MEMBERS:
Takeerah:

  • Bridget just returned to North Carolina after staying at Dave's place to attend New York Comic Con. You can listen to the news we broke that came out of The Walking Dead: Daryl Dixon panel (including the general release date for the upcoming The Walking Dead: The Ones Who Live, more news about TWD: Daryl Dixon's 2nd season, and much more), here:

  • Although this episode discussion was livestreamed, Sherrandy extols the value of streaming our unedited episode recordings and interviews when you tip us or join a membership tier on Ko-fi or Patreon.
  • Once again, don't miss out on wearing our new art design based on our discussions on TWD: Daryl Dixon's first season. Will we make another one for The Walking Dead: Daryl Dixon, The Book of Carol (what the second season of this series is being called)? We might not have to if you take a peek at our merch store!

  • Here's the Twitter exchange about the long title for the second season:
  • Takeerah starts off her first impressions by saying she was right (in our last episode discussion) about her prediction that the season finale would be the best of the season, compared to the last episode. Along with seeing different sides of Daryl that she hadn't seen before, she fears the name change from TWD:Daryl Dixon to The Book of Carol threatens to diminish the wonderful character development we've seen from Daryl Dixon.

  • Dave takes the opportunity to pat himself on the back for choosing to livestream this episode on a different day than we would've (pre-recorded it) the day before, since Rachael wouldn't have been able to make it, otherwise.
  • Walking Dead Eternal really liked that Daryl go his own walk-off music (U2's Seconds), similar to Rick Grimes (Space Junk by Wang Chung) at both the end of The Walking Dead's pilot and episode 9x05 What Comes After.
  • Rachael expressed much enjoyment as a result of watching this episode and is waiting in anticipation for them to address unanswered questions in the next season, considering the trepidation she expressed about receiving an unsatisfying end (a residual effect stemming from her sadness over the TWD ending less than a year ago). Though, she does admit she was dissatisfied with the ending, particularly with Daryl not going home.
  • Speaking of the ending, considering the 58-mile long journey from The Nest / Mont Saint Michel, how did Laurent manage to both sneak out and follow Daryl all the way to the Normandy American Cemetery without being noticed? Many suggest it may have been a hallucination or and expression of Daryl's present emotional state (while Dave jokingly thinks it's Laurent's telepathic abilities manifesting). Seriously though, if  Laurent is a hallucination, was the grave scene even real?


  • Sherrandy appreciated that it took some time to find (Daryl's grandfather) William T. Dixon's grave (considering 2,501 Americans died on the shores of Normandy). The graveyard scene is a way for Daryl to complete an even larger circle and maybe even reflect on how his life would have been different if his grandfather had not enlisted (or whether he would've existed at all). If you watched the making of the first season special, Norman Reedus believed the graveyard scene was meant to make Daryl want to return home, faster, since he didn't want to end up like his grandfather, disconnected from his loved ones before he dies.

  • And then there's the decision Daryl ultimately makes to stay in France, which we know because the filming of the second season is very much underway. Even though one can see Judith Grimes and RJ Grimes as his own children, there is a strong, almost father/son connection between Daryl and Laurent throughout the season (and heavily emphasized in this and the last episode). Regardless, Laurent still needs Daryl's protection from Pouvoir Des Vivants, unlike Judith (who is already fairly capable) and RJ who are much safer. Daryl also might feel that he his purpose in America is fulfilled and there's greater purpose with his newfound family in France, even though it must gnaw at him that he would be seen as just another person who disappeared from Judith and RJ's life, just like their  father, Rick (when Judith was too young to remember), and their mother, Michonne (only recently). Maybe he could use the boat to send a letter home, instead?

  • There's a bit of confusion about how Daryl traveled to the location where the boat would pick him up considering that he was told by Losang to follow the water. We pull up a map to show that it's only 58 miles, as the crow flies, but following the coast would probably take twice as long. Dave mentions that there are many waterways he could have used to reach the cemetery (rather than water meaning the coast) and it does show him traveling through cliffsides, tall grass, and marshland.

  • Bridget finally joins us! She was previously in the chat because it took her a while to get back home from the airport.
  • Sherrandy initially expected to hate the series but has been pleasantly surprised and has loved every episode. And, come on: this episode started out with a great walker fight scene! She does note that the color palette of the show looked washed out and overcast, which seemed to be intentional.
  • Even though the ending confused some viewers, Bridget believes it simply represents the struggle in Daryl's mind between coming back to The Commonwealth or leaving behind another family, similar to his grandfather (on both fronts): in other words, not a hallucination. Speaking of the song playing at the end, while Bridget recanted her experience of watching the season finale at NYCC, she particularly enjoyed the moment when the song came on and watched an adorable man (who resembled her father, in a way) rocking out to it.
  • Some quick points from the chat:
  • Sherrandy asks the all-important question of whether Carol Peletier will let the biker out of the trunk of her old Ford Mustang because she believes anyone horrible enough to shoot up a Mustang in the apocalypse deserves to die. Dave mentions the model pairs well with the U2 song playing because they're both from the 80s. And we learned from The Last of Us that 80s music is code for trouble. Speaking of the scene in Freeport, Maine, Rachael takes a moment to mention a Sarah Rabinowitz look-alike in the last episode, who was seen herding walkers into the back of a semi-trucks. This reminds Dave of an observation that 🤫WHISPERERS Tier Member, Aidan Atkin, mentioned in our Discord server: how the flashing strobe lights reminded him of how The Wolves herded walkers in a similar fashion on TWD 5x16 Conquer.

  • Bridget briefly discusses their first impressions of this episode and finds the ending satisfying. Yep, that's the take.
  • Sherrandy imagines a humorous scenario where Daryl and Carol pass each other on the ocean, going in opposite directions. This brings up the 2.5 sided love triangle involving Daryl, Carol, and Isabelle Carriere. As you may have seen throughout the episode, Daryl and Isabelle were frequently beaming at one another. We note how heartwarming it was that Sylvie was comfortable enough asking Daryl whether he's ever been in love before (a variation on a question she asks Isabelle two episodes ago): yet again, he doesn't respond. Daryl's discomfort with the question may be due to his past and complicated relationship and with Leah Shaw. Rachael speculates that Daryl may not recognize or understand his own feelings of love. Dave muses on how well this show is finally, in some meaningful way, is trying to address the complicated feelings he had with Leah (because the main series quickly wrote her off the show due to time constraints). Takeerah points out that Sherrandy was right about how Isabelle was able to save herself. But Dave steps in to respond to Rachael: Daryl is painfully aware of his feelings, but doesn't respond because he's weighing being honest about them with the promise he made to come back home - not to mention the struggle of leaving Isabelle, Laurent, Sylvie and L'Union De L'Espoir behind, which leaves them vulnerable.

  • Some don't have strong opinions on the topic of Daryl's romantic entanglements, but know that Judith and RJ are safe at the Commonwealth and don't need him, while Laurent is still in a vulnerable position and needs his help. We note the scene where Daryl was teaching arms training and the smiles both he and Isabelle exchanged with one another. Dave also notes that Daryl slept next to Isabelle as evidenced by the mace on the mattress beside her bed, but Bridget swiftly covers for that by saying that he is the kind of person who would put down someone he cares about if they turned into a walker. It's also noted that Daryl's feelings towards Isabelle visibly changed as soon as they arrived at the nest since he could finally let his guard down.

  • Daryl is happy at the nest but feels a sense of loyalty and obligation to go home. Bridget compares this melancholic happiness of having to leaving your friends after having so much fun at a convention, but feeling the pull of the people you love beckoning for your return. Dave acknowledges the brilliant comparison, but the notes the slight lack of equivalence: the people he loves back home would've told him to stay if he explained how much he feels he has purpose, belonging, and even love in France. He could also get another dog, too. Rick would've also made the decision to stay, if he was in Daryl's position, in order to finish the mission of keeping someone safe, especially knowing that his children were safe at home; however, some people feel that even though Laurent and crew should be prepared for what's coming, Daryl wouldn't want to put anyone through the heartache of thinking he was dead like Rick did.

  • We highlight the moment Laurent dispatches walker Quinn in order to save Isabelle and how it directly reflects Daryl's dream sequence at the beginning of La Dame De Fer (being helpless in being able to assist/save Laurent). We know that Laurent and The Union of Hope hesitate putting down walkers, so it's significant that he not only goes against this rule (because there's no other option, as Azlan said in the prior episode), but does this to effectively put down his own father, having never killed a walker before, and all to save Isabelle. Laurent emphasizes that he didn't have a close relationship with his dad, anyway, so that wasn't the main issue for him. Dave did express a sense of dread in this scene and how it is totally plausible, given Laurent's lack of experience and how heavy his weapon must've been, that he would've accidentally killed Isabelle in this moment.

  • It was also noted that walker Quinn did seem a lot more agile, which might've been a side effect of being bitten by one of the aggressive walkers in the arena. Everyone enjoyed the scene where the head of one of the aggressive variants exploded shortly after being injected. The one variant viscously tearing the jaw off the other walker felt similar to the behavior of a ferocious animal. The shackles chaining Daryl & Quinn reminded us of the one walker dragging a corpse behind it by the shackles in beginning of Alouette, just outside the symphony. We believe that this makes that scene not only super relevant, but illustrates Genet's scheme was to pit two antagonists who would've otherwise surely fended for themselves (throw in the fact that Quinn is most likely English and Daryl is American - one being an ex-colony of the former).

  • Daryl picking up and throwing the decapitated walker head was the favorite moment of many. Bridget mentioned how, in the NYCC panel, Greg Nicotero mentioned how the teeth were filed-down to make these already dangerous walkers seem even more menacing. In making-of video, Anne Charrier (who plays Genet) expressed her love for The Walking Dead. She was is excited when Norman threw a head at her, but quickly started freaking out when she realized how real it seemed.

  • Sherrandy praises Anne for playing such a fantastic villain and appreciated the scene where she divulges to Stéphane Codron how she worked in a museum at night and learned to reading the eyes of every painting to gauge when someone was lying to her. The way Codron paused after Genet flat-out told him he shot her men was described as very French. But, of course, what was she supposed to think having returned without a scratch?

  • Dave agrees with Rachel's initial belief that Codron may not be the bad guy, but is most-likely still bad person and still wants revenge for his brother's death. Which brings us to why he decided not to shoot Laurent, spared Daryl his wrath, and then went out of his way to report to Genet when he could've flown the coop. Maybe it was one thing when he didn't have to shoot Laurent himself (similar to how World War I & II changed how wars were fought, with bullets, airstrikes, and even trench warfare) and/or perhaps couldn't bear to separate him from someone he loved, like Daryl did to him. Or, perhaps, it was also Laurent saying that, even if he did shoot him, Dieu Vous Aime / God loves you, which changed something in him (similar to how Laurent was able to give comfort to a mourning Sonia, who had lost her husband). It's possible that he went back to Genet to even throw her scent off of them, though some have their doubts and it might just be that though he hates Daryl, he hates that Genet manipulated his fury to achieve her own ends. Dave does also admit that we don't know too much about him since all we've ever seen of him is a man driven by emotion (AKA not smart, similar to Carol going after Alpha in TWD's 10th Season). It's also possible that, having spared Laurent, for whatever reason, he was emboldened to protect them because Mont Saint Michel, The Nest's location, was his brother's namesake. Codron's mercy is sort of a mirror for Daryl when he spared Dwight and Sherry in TWD episode 6x06, Always Accountable.

  • Dave remarks on the crowd's response to Daryl's actions throughout the walker arena match, comparing it to a wrestling match. More than a story of two opposing sides fighting against each other, people prefer stories where enemies cooperate against a greater enemy and become friends, like the American-British alliance in World War II or even The French Revolution where America fought alongside them against The British. Quinn's alliance with Daryl is also a sly callback to Daryl and Merl fighting in Philip "The Governor" Blake's walker pit, in Woodbury, while shackled at the wrists. And the more dangerous adversary here could also be seen as these manufactured variants, who are not only aggressive, but also burners, something Dave was not happy that he predicted. Dave shares a personal story: two middle school underclassmen were bullying a bunch of kids and he urged them to pick on someone their own size (they were much taller than him). After he let them kick him in the balls a few times, they relented and, later on, not only were the bullies a lot nicer to the others they picked on, he and they became friends. As great as it is when enemies become friends, Rachael finds this implausible in real life.

  • Sherrandy references the lone walker Daryl passes on his way to the boat, which reminded her of Shane Walsh spotting the lone walker in a field in the original series (a theme that was repeated across the seasons). The scene at the cemetery where Daryl finds his grandfather's tombstone highlights the emotional impact of completing a bigger circle and his connection to home. Think of the odds of such a connection happening, here in France, which might get someone to believe in something bigger than oneself. Isabelle admits to manipulating Laurent into drawing a prediction of Daryl's arrival, but Daryl is not mad about it and it seems as though he was about to suggest that everything happens for a reason and he is here now because of it (until he was rudely interrupted by Codron). But shifting back to Bill Dixon, Daryl might've also been expressing feelings of gratitude to him, too, and less about his service and more that, in spite of all the hardship for most of his life, it brought him to this moment.

  • The conversation shifts to discussing Carol's return and how it might negatively impact Daryl's development, especially after all the trauma that was revealed throughout his journey through France and the growth he has achieved along the way. Bridget expresses frustration with the focus on romantic relationships in the show and wants to see Daryl grow as a person. Rachael defends the current, supportive platonic relationship between Daryl and Carol feels Carol would embrace and support his growth. That aside, keep Carol away from Laurent!

  • Sherrandy takes a moment to mention the company name on the semi-truck in the end scene with Carol and the biker: Mansouri. It at least reminds us of Alexa Mansour, who played Hope Bennett on The Walking Dead: World Beyond. Mansouri, in Arabic, means to whom victory belongs.

  • But speaking about Carol's return and our concerns over how that will impact Daryl's story, moving forward, Takeerah criticizes Isabelle's flirtations since she is a nun. She also comments on the fact that Daryl seems to perceive the four women (Connie, Carol, Leah, and Isabelle) the audience considers as possible love interests for him in different ways. We all agree that the love one shares between both friends and love interests, generally speaking, tends to be unique from relationship to relationship. Sherrandy jokes that Daryl sees them as different female archetypes: Mom, Sister, Aunt, and Dead (in the case of Leah). Dave criticizes Takeerah for supposed-to-ing Isabelle because she has her own agenda of wanting Connie and Daryl to couple-up (and even Rachael for her occasional relapse into wanting Carol and Daryl to have a thing). Sherrandy expresses support for Daryl having romantic love, but in addition to brotherly, sisterly, and friend love, similar to Ted Lasso befriending Rebecca Welton and never exploring the possibility of romance. Dave's argument is that Isabelle and Daryl should couple-up, if it's in the cards, and it would be the positive and natural next step in completing a long overdue broken circle in a string of circles Daryl has continued to complete in order to become a whole person. Bridget clarifies that she doesn't want Daryl to be miserable, but maintains the desire for him to remain his own person. Did we see what we wanted to see when it came to any of the 4 women we typically ship with Daryl? It was most likely intentional that the writers walked us down this path in order to bait the hook and get us to pay closer attention, too. Dave stated his case for a relationship (in general) in the comments section of the following Reddit post:

  • Comment
    byu/welshman222 from discussion
    inthewalkingdead
  • What we can say for sure is that Daryl's growth and journey with Isabelle and others have allowed him to connect with others on a deeper level and resolve underlying issues that were never addressed. The primary issue he is resolving by staying in France, Dave believes, is that he's starting to living for himself and not for or through others. A romantic relationship with Isabel is a positive one, so long as it continues to help Daryl be happier and more true to himself. Rachael's concern is that a romantic relationship might change Daryl's outlook and impair his assessment of risk, but Dave response to this is showing how, even though he was helpless in being able to protect Isabelle and Laurent, he was able to encourage the people he cares about to move forward and fight for themselves. Rachael, however, still doesn't care to see Daryl in a romantic relationship with anyone, but Sherrandy thinks he deserves to have someone else to come home to at night (that isn't Dog Dixon), despite the inherent risks of doing so in this universe. Takeerah is still bitter about Connie and Daryl not being a thing (due to scheduling issues with Lauren Ridloff), even though Executive Producer Angela Kang was rooting for it.

  • A song called Le Vent Nous Portera is what's playing as Daryl et al arrive at The Nest and was originally created by a French band named Noir Desir, covered here by Sophie Hunger. The tone of the song matches the overall mood and even themes this episode tries to explore: the idea that life doesn't care about one's genes or relationships, and everything (good or bad) eventually fades away and is taken away by the wind like dust. It is supposed to signal to the listener to live while you are alive: take more chances and explore new experiences.
  • While you are here, and this was mentioned in our discussion just before both Rachael and Bridget left for the night: Vote for Rachael in the Face of Horror competition. It's an opportunity for her to win a cash prize (that she desperately needs), a photoshoot in Rue Morgue magazine, and meet the man who played Jason Voorhees in the Friday The 13th franchise: actor/stuntman Kane Hodder.


  • Before she leaves, Rachael was super excited she was to see Carol's boots climb out of the Mustang at the end of the episode. Paul Zies played the biker that was trying to shake down Carol: you may have recognized him as a background actor on Mayans M.C., a spin-off of Sons of Anarchy. It's interesting because Ryan Hurst who played Beta on The Walking Dead was on Sons of Anarchy. The interaction between Carol and the motorbiker guy was seen as goofy and predictable. Carol's aggressive approach towards the motorbiker guy was also noted and largely expected. Carol knocking him out with a wrench is an interesting callback to, just earlier on, Codron knocking Daryl out when he finally catches up with him.

  • And speaking of that tense scene where Codron is urged to kill everyone off, starting with Laurent, you would've easily missed Sylvie's desperate prayer. What she recites is Psalm 57:3: He shall send from heaven, and save me, when he that would swallow me up reproacheth; Selah [Forever/until the end of all things], God shall send forth his mercy and his truth. Laurent's response to Sylvie's call emphasizes God's love to Codron.

  • Bridget expresses gratitude for this series and its renewal for a second season. During the NYCC panel, Norman Reedus expressed his willingness to continue playing Daryl for as long as possible. With that Bridget and Rachel depart for the evening, leaving Sherrandy, Dave, and Takeerah to wrap up this discussion.
  • We were in awe of the cinematography during the B-Roll showing Daryl journey to the boat: climbing rocky terrain, wading through tall grass, and the exterior of the stone cottage where he stayed the night. It pairs with what Sherrandy was saying before about the washed out colors throughout the episode. Daryl's hallucination of Laurent could also be poetic license by the writers to express the emotions he was feeling, but combined with the shots of scenery and color grading, the visual storytelling conveys more of his emotions and inner conflict. France, itself, feels like its own character on the show, which hails back to the way Dave described the landscape on Fear TWD as the ultimate adversary in Season 4.

  • The big question: how do we feel about Quinn, having sacrificed himself to make sure both Daryl, Isabelle, and everyone else made it out of Maison Mère safely? Dave thought Quinn was trying to atone or make things right with Isabelle: his actions in this episode spoke louder than words. Both Sherrandy & Takeerah think he did not redeem himself, stating that he only did what he had to do to survive. Quinn freely offered his wrist, to free Daryl from him, as well as his body, in order to attack the soldiers in the hallway so Daryl could escape, showing his willingness to contribute to their success, to which he wasn't in any way obligated. Dave also reiterates that, rather than seek revenge for being pummeled by him, Quinn did not turn on Daryl during the match, but Dave also acknowledges that, as a transactional man, it was to likely in order to maximize self-preservation. Still, many other characters in this universe have typically chosen to advance their own selfish agendas in their final moments, rather than cooperate, in contrast to Quinn's decisions. Takeerah cites that Quinn's pride might've played a role in his decision-making, not wanting to go out like a coward.

  • Addressing the big argument about whether Isabelle was just guilt-tripping Daryl into staying: Isabelle says Daryl is repeating history by leaving and not facing his feelings. Daryl defends himself by saying he respects Isabelle's perspective, but strongly disagrees. Isabelle brings up Laurent and questions if Daryl will abandon him like his father did to him. Takeerah disagrees with Isabelle, saying Laurent is not Daryl's child, even though their bond is acknowledged. Dave thinks true friendship is the kind where they can say hard truths and, rather than crumble, it makes their friendship stronger. Daryl could be seen as, at least, a father figure to Laurent and leaving him could be seen as similar to what his own father did to him.

  • In an earlier scene, Isabelle does try to say, out loud to Daryl, that Laurent is probably lucky to have grown up without a bad father, like Quinn or Daryl's dad, but Daryl stays silent. His silence, in itself, is the appropriate answer, since it has to be complicated to properly address in Daryl's case: there might've been something redeeming about Daryl's father despite his flaws and it's really hard for Laurent to (as Daryl says in Alouette, about the lost children) miss what you never had. But Isabelle might be right about the way Daryl was at least attempting to leave: regardless of whether Laurent is his son or not, leaving a child without even saying goodbye sticks with them, regardless of any logical reasoning they accept now or further down the line.

  • Sherrandy questions whether Isabelle is right to be angry at Daryl, but also acknowledges her desperation for him to stay. Takeerah is adamant that he has deeper relationships with the Grimes children, whom he has already acknowledged as his own kids. Dave acknowledges his own conflicting feelings about the situation: there's the initial reaction to her words, but they make sense under examination. Sherrandy fears Daryl going back home may undo all the growth he's achieved throughout his journey through France. Dave takes this further: both Isabelle and Daryl acknowledge, in that moment, that he was searching for something to make his life worth living. Maybe paired with the scene of seeing the grave of his own grandfather, who died so early on in his life (Daryl is more than 3x older than him), maybe all this time he's been reflecting on his own mortality and the sacrifices he has made in his life - not for himself, but for others. Taking it back to Daryl leaving Laurent without saying goodbye, Dave explains how much he understands that feeling since, for most of his life, his father wasn't around. He would leave in the morning, before he woke, and come back after his bedtime, every day. And though his father would always kiss his forehead before he left and when he came home, what stuck with him most is when his dad stopped this practice. And though it's not stranger for Daryl to disappear from any given group, as we've seen over time, the one thing we all agree on is that Isabelle ironically embodies the audience's desperate desire for Daryl to come back to the family waiting for him in the United States, saying whatever they can to get him to come home.

  • Brining up Seconds by U2, again: it suggests the potential for global conflict, down the line. There may be a connection between Daryl's decision to stay in France and the CRM (Civic Republic Military).
  • Carol's introduction to the series may lead to a regression in Daryl's character growth. The question is raised about how the series would have been different had Carol had been involved from the beginning. Dave, in particular, is grateful that she wasn't in the first season, as someone who wasn't a particular fan of Daryl: it allowed him to get to know him better. And besides, having Carol on the show with Daryl would've made it really exhausting to deal with a certain contingent of the fandom who are obsessed with them being together as a couple.

  • We all express our satisfaction with not only the season finale, but our deep conversations we've had on the series thus far. And though Dave didn't feel the most satisfied with the cliffhanger ending, he liked that it forced us to confront the possibility of him staying over the natural desire for wanting him to come home. We do muse on how silly it was for Daryl to call to the boat, especially since it alerted the lurkers - despite whether the entire scene may have been an illusion.

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Saturday, March 13, 2021

[Episode 122] Season 10, Episode 18 of The Walking Dead, "Find Me"

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We went through most of the hype, drama, and anticipation for this week's episode in last week's #podcast. Breaking down this episode has been quite the trip, as we discover how much consideration the writers and show-runner, #AngelaKang, has had for #DarylDixon's development for quite a while, now!
Consider supporting us! You receive Early Access to this and future Unedited Episode Recordings, as well as the ability to lend your insights into future Recording Sessions - along with some other neat perks: Click Here!
David Cameo:
Rachael Burt:

  • Daryl/Carol/Leah dynamic: different sides of Daryl and the free to be himself (whatever that means).
  • FISH BANGS/FISH THUDS
  • Was there reservation for the #CARYL-ers?
  • DOG brought Daryl and Leah together
  • Comparing past scenes to present episode: Carol knows about Leah

  • Why is everyone only mad at Daryl/Norman? Carol was with Ezekiel, raising Henry 
  • Leah/Carol parallels
  • TWITTER is mean
  • We hate in others, what we hate in ourselves: Carol and Daryl on opposite sides of the river
  • Where is Carol at mentally? Will she run? Can we compare Carol to Negan?

  • Never ending loop. Pretending to be okay
  • Moving on with your life
  • We learn about Leah’s past: her "son" Matthew
  • "SCARS" happened before Daryl meets Leah: noticeable difference between Digital & Traditional Film
  • We see Daryl’s fresh cut scar over his eye, but no idea how it happened (more story?)
  • Ezekiel vs. Daryl
  • TIMELINES!!!!
  • Daryl in arrested development
  • Once you SQUAWK you never go TALK
  • Leah left Daryl ~1yr and 9 months ago from present day: Unknown when Daryl loses his wing during this time.
  • Daryl already knows the consequences of going too far (losing control)
  • Daryl allows Carol to read his message to Leah (which contains a map)
  • Did Leah leave on her own? Why is DOG left behind? But she clearly takes Matthew’s photo with her?
  • Leah’s ultimatum: was she pregnant?
  • Leah is Madison?
  • Is Leah REAL?! Oh no, not again (R.J. Grimes)

  • @fftcocoon shares some BTS of Carol with Leah’s pocketknife, in TWD 10x21 (Kirsten Acuna expands upon this in one of her articles for Insider.com)

  • Daryl’s map is to scale: is he a little suicidal?
  • Has Leah met up with another faction? Reapers? Leftover Saviors? 
  • Rick is Daryl’s real brother: he noticeably opens up to Leah a little
  • Will Leah take on the role of Sherry from the comics, leading the left over Saviors?
  • Leah’s relationship to Matthew: her spiel removes us from the drama in the moment, but does draw parallels
  • Contextualizing everything: But what about Connie?
  • Title card still dripping in blood (no progression/change, though)
  • Carol looking out for Daryl: slipping the map into his bag
  • Daryl really doesn’t know what to do, other than to continue looking for Rick
  • Maybe Leah died and Daryl is imagining her.
  • Leah and Carol sort resemble one another 🤔
    Courtesy of @fftcocoon
    (left) Leah from this episode, (right) Melissa McBride in Dawson's Creek
  • Is Carol leading Daryl towards the cabin?
  • Daryl takes it all for everyone else (takes nothing for himself)
  • Carol’s "apology", "I’m sorry, but I was right"; relationships of all kinds change/evolve
  • Daryl’s sound is so clear!
  • Melissa McBride looked off on Talking Dead: prepping for the #CARYL-ers 
  • Where does Carol belong? Daryl lays down some harsh truth.
  • A PUPPY DOG NAMED CARL! Puppy Dog vs. Baby Hershel. Team People vs Team Creatures
  • Daryl knows where he belongs (with his people), but would he leave if Leah shows up?
  • Excitement towards next episode

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Saturday, October 7, 2023

La Dame De Fer |1x04| The Walking Dead: Daryl Dixon

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It's always difficult to watch our characters saying goodbye to one another. This series has received overwhelming positive feedback from fans and critics. We take a seriously unprecedented peek into Daryl Dixon's subconscious, exploring deep-seated feelings towards Laurent. Was there at least one walker variant? Are some fans fabricating a potential romantic relationship between Daryl and Isabelle? The significance of Genet calling Impressionism "degenerate art" and how Cyclical Melodrama is the reason why Daryl and Isabelle will always stumble into people with similar backgrounds to their own. We seek answers amidst concerns over a possible anticlimactic conclusion to this season of The Walking Dead: Daryl Dixon.
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David Cameo:
Rachael Burt:
Sherrandy Swift:
Bridget Mason-Gray:

🎖SURVIVORS TIER MEMBERS:
Takeerah:

  • First thing's first, we not only released our logo-based design representing our podcast discussions on The Walking Dead: Daryl Dixon, but the night before we premiered the episode on YouTube, we published the art design, as well!
  • Takeerah express sadness about characters being separated and not knowing whether we'll will see them again. Dave mentions the post Takeerah dropped on how this series is on track to be rated higher than even The Walking Dead, at its peak, and why that might be.

  • Rachael is getting antsy and would've preferred more answers due to fears over whether we'll receive a satisfying enough conclusion to the series to warrant this much character development. Sherrandy, too, felt that though this episode was really good, it did not grab her as much as previous episodes. Certain scenes felt contrived, like the walkers at The Eiffel Tower only now freeing themselves from the barricade they were behind after who knows how long they've been behind it.


  • To that end, Takeerah wonders whether at least the initial walker Laurent sees through the barricade (which subsequently spots him under the sheet metal he was hiding under) was a walker variant. Alternatively, Dave explains that it could just be because of some variants we've seen in the last episode and also because of how the walker was looking directly into the camera.
  • Bridget and Dave express how much they love to hate Quinn and find him to be a representation of multiple things that have traumatized them in the past. And speaking of forced relationships, there have been fears that the show might be angling for one between Isabelle and Daryl Dixon, despite what she says to Sylvie near the end of the episode. We discuss both possibilities, mostly on the side of why it might be more advantageous for the show to explore why it means more to us that they end up close friends, rather than lovers, with half of us ending up ambivalent about it either which way.

  • To dovetail, we turn our attention to why Isabelle breathes such a sigh of relief that Daryl is OK. At the end of the day, we conclude that, throughout every episode - even though Daryl makes his intentions about getting home super clear - that he continues to help Isabelle, Laurent, and many people along the way has demonstrated his altruism. Bridget compares this to Good Works or Fruit of the Spirit, in Christianity: the result of the Holy Spirit living in a person, rather than a means to earn a place in heaven. Bridget also brings up that the reason why Daryl & Isabelle at least appear to be attracted to one another is because of Cyclical Melodrama: their traumatic backgrounds dictate that they will continue to find people like themselves, out in the world. Though Daryl has broken out of his, Isabelle repeats the cycle by going back to Quinn. The cycle-breaker for Daryl may have been Judith Grimes and, for Isabelle, it could end up being Laurent.

  • If you thought it was out of character for Daryl to torture someone, we don't blame you for forgetting his past, considering how accustomed we've become to seeing Daryl's softer side. Dave is surprised that many of his fellow hosts found Daryl's story about Jimmy and the Piglet to be true and based on Daryl's personal life experience. The way Daryl paces around the room as he tells this story can be seen as a way to redirect Armand's attention to him, rather than Isabell, and build suspense. Sherrandy believes that Armand's words broke Isabelle down enough to make her decide to go back to Quinn right in that moment (who is torturing whom?). The way Armand couldn't even be bothered to spit on Isabelle might've been indicative of demonstrating her lack of worth to him, as a human being (not worth of even being spit on), or more likely fear of retaliation from Quinn.

  • But maybe it's not about repeating cycles: it's possible that Isabelle says she's going back to protect Laurent (Quinn's relationship with Pouvoir Des Vivants and making it so Laurent and company can make it to the nest), but maybe it's actually more about breaking the cycle and tackling her trauma, head-on. Bridget talks about similar fears she's had about returning to Milwaukee: facing her abuser and reverting to her former self while friends involved in that situation may continue to have the same image of her from that period of time. Meanwhile, it's unclear whether Quinn desires Isabelle because he loves her, wants to use her pre-apocalypse talents, is maybe even seeking revenge for abandoning him at the fall, or just wants to control her for the sake of controlling her: after all, as Genet says, he is a transactional man.

  • A concern emerges that Daryl might leave Laurent in the safety of The Nest in order to go back and rescue Isabelle: Rachael in particular would view this as edging us closer to relationship territory, but also making Daryl a sort of white knight. Sherrandy thinks that, whether he tries to save her or not, he might find that she saves herself. Either way, Isabelle might be the catalyst for Daryl's involvement in stopping Quinn's machinations.

  • The boatman's name is Azlan, which means lion in Arabic, which reminds everyone of the same character from the beloved The Chronicles of Narnia series of books/films. We're also jealous of Laurent, as his protector, because would very much love this attractive man guarding our bodies. And speaking of beautiful men, Sherrandy was moved by the scene where Antoine (the pigeon man) sets his pigeons free before dying, Adieu Camarades. This reminds Bridget of Dominique Pinon's role in Amélie and the significant impact this film had on both her and Dave's lives. Of course, Takeerah has to cap the subject of adorable men by mentioning the only French words Daryl has uttered in the series (to Armand, before he's mercilessly torn apart by walkers), bon appétit.
  • La Dame De Fer/ The Iron Lady reminds Sherrandy of the Statue of Liberty (even though that's copper) and what folks commonly called Margaret Thatcher (coincidentally, a movie exists by the same name, depicting her life, played by Meryl Streep); however, this is another name for the Eiffel Tower and why it's called this is due to its resemblance to a woman wearing a skirt.

  • On the subject of Iron Maidens, we turn to Isabelle's fortitude over the years and how Dave thinks that the convent was a drastic means for her to achieve sobriety from her pre-apocalypse life (both from addictive substances and the cycle of abuse) in order to do better for Laurent than the manner in which she raised Lily. Bridget somewhat disagrees: her substance abuse wasn't the root of her problems; however, she admits that she might be projecting her own experience onto Isabelle.

  • We turn back to the beginning of the episode: Daryl's brief dream sequence. Rather than interpret it, we attribute it to deep-seated feelings towards Laurent. Daryl may subconsciously feel that there is actually something more to Laurent. While we joke that Laurent turns away from Daryl because he's mispronouncing his name, we noted that one of the walkers in the dream seemed to look towards him, which was jarring. If it's true that he feels that there's something more to Laurent, maybe this dream is meant to describe Daryl's awe: that forces beyond his comprehension actually exist. It could also simply mean that he cares more about Laurent than he understands and wants to see him to fulfill his task, whether it's real or imagined. It may also mean that he fears there may come a point where he won't be able to assist him in that task and/or is forced to let go of him. Even more simply put: getting to know Daryl more than a decade, considering he is a man of few words, this scene was a rare opportunity to receive a high-resolution window into his mind and emotional subconscious. The desire to give Laurent a chance at surviving this journey is seen as a reflection of Daryl's paternal relationship with Judith, too.

  • Which actually brings us to thoughts on what the second season might look like, since they are still filming in France. We jokingly mention that the series might takes us to Northern Africa: a reference to a conversation we dedicated to Melissa McBride's exit from what was then supposed to be the Carol & Daryl spin-off. We described a scenario in which Carol Peletier would enter the series, but only to shepherd a walker Daryl through the arid wilderness (hence the art design in our merch store).
  • After the dream sequence, Daryl achieves consciousness submerged in a pool of water and is literally bit by a walker. Though most of us rewound that scene many times, we concluded that the walker merely bit his boot. But, come on, why do it in the first place?! Just after Daryl possibly acknowledging that there may be something more to Laurent, Bridget and Rachael express reservations about Laurent being the cure to what could've been an infected Daryl. But Bridget does go on to explain why, as goofy as Daryl looks with the bandanas covering the holes in his clothes and between his pants and boots, it makes sense that he survived a walker bite; besides which, there are various dangers in the woods, such as snakes, mosquitos, and poison ivy, so covering exposed skin on the lower half of your body prevents many dangers. This instantly reminded Takeerah of when Jerry was bit, but thankfully it was just the boot (too), in TWD episode 10x09, Squeeze. Though Dave thinks Daryl would've just walked it off or powered through, both he and Rachael wonder why he didn't check to see if he was actually bit afterwards. Many thought he wouldn't have hesitated cutting his leg off, while Dave and even Takeerah mention that maybe he would've thought an able body, though doomed, Daryl would be more effective at finishing the task at hand.

  • We shift over to the scene where Genet and Quinn parlay for Daryl's exchange. Genet makes a seemingly random offer of 20 bushels of corn, which may be a nod to a William Faulkner's short story Barn Burning, wherein a tenant farmer ruins a very expensive French carpet belonging to his landlord who is willing to let the matter go in exchange for twenty bushels of corn (in lieu of actual currency, which he knows the tenant farmer does not have). Genet also offers Calvados: an expensive apple brandy, but also one of 83 departments created during the French Revolution (the region which was the former province of Normandy). But in the end, Quinn wants Monet's Japanese Footbridge, a painting which illustrates the harmony between humanity and nature amidst the dawn of the industrial revolution.

    Monet's Water Lilies (not Japanese Footbridge)

  • There is some speculation as to whether this was meant to woo Isabelle and/or to memorialize her sister, Lily; regardless, Bridget gives context as why Genet refers to Monet as degenerate art by explaining the advent of the Modernist Art Movement and Impressionism as an alternative or even response to traditional art. Dave had researched the exact words Genet uses and it perfectly describes The Nazi Party's stance on Impressionism: referred to as Entartete Kunst, impressionist paintings were taken out of museums and tossed in the street or hung in exhibitions next to graffiti because it was an insult to German feeling. Late 19th century art critic, Max Nordau, who had popularized the term Entartung (degeneracy), had called Impressionism as a sign of a diseased visual cortex.
  • With this overwhelming fact in mind, it allows us to view the moment where Genet attempts to coo and hold the crying child near the start of the episode under a whole new, scary light. Obviously, the scene is meant to hold you in suspense, regardless, but on first watch, Dave felt a twinge of sympathy towards Genet and perhaps the toll the attempt at ridding the world of walkers since the outbreak's start has taken on her. The baby might be a reminder and motivator to push onward. However, with thoughts of Nazis dancing in our heads, it really adds loads more comments on the response she had for Sonia, about being weak(minded), after Sonia was standing up to her line of questioning and Pouvoir Des Vivants as a group.

  • As he is being kidnapped by Quinn's men, rather than calling out for Daryl to save him, it sounded and appeared as though Laurent was telling him to let him go. Dave wasn't on board with this at first, but as the ladies describe the way he was gripping his headrest and the manner in which he called out for Daryl, he was further convinced (despite basically always being right).

  • After recovering from the shock of Daryl actually being bitten (but not really being bitten), we examine the very odd scene with the cellist playing Johann Sebastian Bach's Cello Suite 1 and older couple casually having coffee and doting on one another in the windows of their own apartments. Sherrandy questions where all the undead went in a big city like Paris after 12 years, to which Takeerah believes - between the military and groups like Pouvoir Des Vivants - they took out the majority of them. How are the people Daryl observes enjoying life in their apartments while others - both in this series and in countries abroad - simply cannot? We broach last week's subject of individualism versus collective good, including the French axiom of Liberté, Egalité, Fraternité (Liberty, Equality, Fraternity), but that doesn't fly with Bridget, who is convinced people are equally horrible, everywhere. Takeerah tries to defend herself by saying it's possible that the American military focused more on protecting their own families, than performing their duties, especially after we bombed our own cities, whereas it's very possible that France, at the very least, may have done the opposite and didn't bomb their major cities.


  • Going back to the scene, it was at least interesting to see individuals trying to find their own happiness without the desire of relinquishing their autonomy to a larger group or authority to survive, taking their lives into their own hands especially after the camera pans to the walkers just below them to remind them that the dangers still exist. The cello piece by Bach was also performed by famous cellist, Yo-Yo Ma, in a 2011 riverside concert in New Zealand in the aftermath of a devastating earthquake and said, just before startingThat piece, in some strange coded way that culture does, represents in many ways the water that is flowing right in front of us... It also represents when something very violent and tragic interpreted the flow...Then this piece also includes the rebuilding and the re-imagining of the better version of the very first.  All of this suggests that these people are making the world better than before by living the way they want and being a better version of themselves, the way they see fit, in much the same way we idealize ourselves and imagine inhabiting a better version of ourselves in a zombie apocalypse.
  • Isabelle, yet again, is sacrificing herself for the well-being of someone else by the end of this episode, but we doubt that she will be able to rejoin the ones she loves once Laurent is safe. Isabelle doesn't know that Genet - and perhaps Quinn - is also after Laurent for her own reasons, so she can hardly be blamed for her poorly thought through logic. And although some of us have reservations about where the last two episodes of this season will ultimately go, we're excited for the next one.

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