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Showing posts sorted by relevance for query maggie. Sort by date Show all posts
Showing posts sorted by relevance for query maggie. Sort by date Show all posts

Sunday, August 13, 2023

Doma Smo |SEASON FINALE| The Walking Dead: Dead City

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Originally Recorded 2023.07.23
"We are home" …if it's where the heart is, are we really? Our experience has altered our sense of what home really means. Was it ever a home to begin with? Meanwhile, our antagonists are setting the stage for war.
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David Cameo:
Rachael Burt:
Sherrandy Swift:
Bridget Mason-Gray:

🎖SURVIVORS TIER MEMBERS:
Takeerah:

  • Our dear friend and fellow co-host/creator, Bridget, broke down both the trailer and first ten minutes of the upcoming spin-off, The Walking Dead: Daryl Dixon:
  • Although we haven't yet found the time to edit/publish it, Fear The Walking Dead's Top 7 Best Moments is already available in all its hilarious and unedited glory! You can stream it on either Ko-fi or Patreon!

  • Takeerah's overall impression: many questions answered, loved the tussle between Negan & Maggie Rhee, and expressed some consternation over TWDU's formula of receiving only 6 episodes in the first season of every series, but thought The Walking Dead: Dead City managed to pull off a satisfying first season, overall. On that note, Rachael thought the series finale of Dead City was meh, but enjoyed it overall: she notes that it sets up the second season very well. However, both Sherrandy and Rachael weren't surprised that Hershel Rhee was rescued and were disappointed that the season finale wasn't more of a banger. Dave and Bridget thought it was really good: Dave really enjoyed the symmetry between several characters on (seemingly) opposing sides and Bridget appreciates all the different ways the series, on the whole, showed the depths of Maggie's suffering, lest we forget (because even Negan says that it's not just something you get over).

  • In case you missed it, we went live to break any news relating to The Walking Dead Universe coming out of San Diego Comic Con and, as it pertains to Dead City, we received the announcement that there would already be a second season! At the time, we avoided showing the montage they made for it because we were concerned it would contain spoilers from the season finale, which hadn't yet publicly aired. After finally watching the season finale, then the montage, we posted a clip on our own social media explaining why we didn't and how it didn't actually contain any spoilers, in case people avoided it, too.
  • We hone in on the trauma Maggie keeps reliving - Negan murdering Glenn Rhee right in front of her: Dave thinks it's something she feels she has to conjure up in order to commit to trading Negan for Hershel while it's also fair to say being placed in this predicament by The Croat is reason enough. We take a step back and ask the question of whether she's always felt this way because, according to Hershel, ever since they left The Hilltop (Lauren Cohan leaving the show), she's always been looking over her shoulder. Though we all concede that maybe she's felt this way since the first time jump on The Walking Dead, we only differ in the severity she's felt it over the years. Being around Negan all this time has undoubtedly made things worse, but also complicated.

  • To contextualize how Maggie's suffering is something greater than a single, traumatic event (or even the series of losses we've seen on TWD, like her sister, Beth Greene,  her father, Hershel Greene, and all of Meridian's wardens), it goes back to her childhood and how (she tells Negan) New York City reminds her of the displays in the windows of Macy's department store during Christmas time and wanting to meet and befriend Santa Claus so that he could somehow repair and bring back toys that were broken and lost. She's always focused on the things she's lost and Negan was just another catalyst.
    Editor's Note: I also wanted to relate this to the elder Hershel's alcoholism and how the note of broken and lost toys was probably a sly way of implying how bad it must've been to live under his roof during that period of time in her life.
  • @freyian814 asks what our reaction would be if Negan & Maggie got together. Dave thinks that if even the most offensive jokes can somehow make people laugh if well-constructed, equally if the show could somehow build up to that in such a way that would make it possible, he would accept it. Sherrandy says they have had amazing on-screen chemistry since her reappearance at the end of Season 10, but doubts it. Rachael says, no matter what, it's just not possible - the chemistry is simply between Lauren Cohan & Jeffrey Dean Morgan as actors.

  • All of that aside, their fates are intertwined. Takeerah even says the show may give Hershel, in some way, the comic book narrative of Carl Grimes checking in on Negan, who had left the group. Sherrandy takes that further and says Hershel might find kinship with Negan if he heads back to The Dama's group. No matter what happens, it seems Maggie is set to save Negan because it's the right thing to do.

  • In an earlier episode, Sherrandy relayed a theory from another podcast saying Negan had killed Ginny's father. They ended up being right, but the series goes further to mention that he wasn't just some ranch hand working the farm: he was among the group of people, including a New Babylon Federation magistrate, who (sexually) assaulted Annie Smith. Bridget interjects: maybe Negan just told Ginny that to get her to leave NYC with Marshal Pearlie Armstrong, much like the end of Harry and the Hendersons. Takeerah disagrees because she watched the commentary from each episode and JDM does allude to this fact. Dave compounds this by going all the way back to Negan & Maggie's first argument on the boat on the way to NYC, where he says, "How many husbands and fathers have you killed," which shows the depth of his torment over murdering Ginny's father. Takeerah goes on to say that he would've done the same for Hershel as he did for Ginny if something ever happened to Maggie. Rachael's final nail in the coffin is that Negan doesn't lie.

  • Takeerah reminds us of the gruesome state of Ginny's recently reanimated father: it was so traumatic that Ginny stopped speaking. The guilt of murdering Ginny's father, on top of what he probably didn't want to have to do to all of these men, scared him: it may have reminded him, too, of the horror and trauma he wrought on Maggie and her family (along with countless other families). When Ginny finally speaks to him, he can't even bear it (Dave jokes that her speaking was the thing that actually made him want to send her away). She even says, I want you to... what, exactly? The ladies say, "I want you to leave with me." Dave did not think this because, in context, this was just after she escaped Maggie, who had been lying to her about The Croat stealing all their food and why she needed Negan to help get Hershel back. Because she doesn't speak throughout the entire series, we really don't know the kind of person she is, either.

  • The gang all speculate that Ginny and Hershel are going to team up and find Negan, with her first words referencing how cool Negan was to hang with and how Maggie is a total liar. On a serious note, we're a little split on whether Ginny will forgive Negan for murdering her father or whether what he said to her was just to get her to leave him. Though Negan's vengeance against her father was righteous, we think he might hold back on telling Ginny why he killed her father in order to preserve her memory of him. To make the point, the series includes this scene, that didn't have to even be shown, of Ginny staring across the water at NYC just after Pearlie and she reach the other side of The Hudson River: it's hard to know what she's thinking in this moment.

  • Just after Pearlie drops Ginny off at The Bricks (AKA, New Hilltop), he tries to give her the flannel Negan used to cover her like a blanket in the first episode but she refuses it. Rachael thought it was because it might contain a note from her to Pearlie. Going back to the moment Pearlie and she reach New Jersey, we were surprised that they only took a small piece of the floating dock at Chelsea Piers to float across the Hudson River. But Sherrandy had a bigger question: how did Maggie and Hershel get across? We remarked in an earlier episode that The Burazi (or whatever this larger group with The Dama is called) have the means to get to and from Manhattan safely: now that Maggie's part of the deal was completed, they probably provided safe passage.

  • Dave and Bridget liked the big setup for the second season, even if the Rachael & Sherrandy would've preferred more of an explosive season finale or even a cliffhanger. Takeerah asks if we might even meet Joshua Smith, Negan's son. Dave takes a step back to say he almost hopes we don't because Annie and he being sent far away makes then safe from The Dama and Negan stands more of a chance of getting out of this, somehow. Sherrandy interjects, though: we see Hershel's fascination towards The Dama and how she and her group made him feel safe. Rachael says Hershel might've already informed The Dama that Negan has at least a wife and Negan's family might have a bigger part to play in Season 2.

  • On top of the symmetrical shot of Negan's & Maggie's bilateral faces at the end, Sherrandy pointed out other visual storytelling elements, like the shadows of Negan and Maggie stretching across the street as they amble their way in the direction of The Croat's car whizzing down the avenue or the wide shot of Maggie and Negan running across the screen on the mezzanine of The Staten Island Ferry terminal. Speaking of The Staten Island Ferry, the series did a great job of trying to show what the terminal looked like before it's facelift in more recent years, since the fall of humanity occurred only just prior to it.

  • Takeerah wanted to address some criticisms people had with the Maggie & Negan fight, which she and many of us liked. Yes, Negan could've demolished her in a fight if his intention was to harm her: it's only when she stabbed him that he unleashed a burst of fury that sent her flying (to the amusement of some). Bridget's consternation was more towards Maggie's lack of acrophobia (present in the 2nd episode) as she navigates the girders leading to the platform above all the walkers. At the end of the day, our conversation only revealed Bridget's severe acrophobia (compared to both Maggie's and Lauren's mild case). We all decided, on a serious note, that her determination to capture Negan outweighed the fear of falling (into a mob of walkers that had gathered below).

  • Rachael asked an important question that shouldn't be glossed over: why choose to fight Negan now? Truth be told, though we established in the first episode that Negan was prepared to not come back from this mission, up until Maggie's 3 lies (the last one about what Ginny was about to say to him), he seriously thought Maggie and he were in lockstep in this fight to retrieve Hershel. Sherrandy rightfully says Maggie panicked: they were so close to the prize and she just could not think of a convincing enough lie. Dave follows up on this by reminding everyone of the sheer amount of methane exposure; exhaustion over nearly being bit by both the Madison Square Garden walkers, sewer walkers, and Walker King; and extreme lack of sleep. He also refers everyone to the first interview we had with Teo Rapp-Olsson who played Sebastian Milton on TWD, and how our post apocalyptic survivors live in a world where their heart's resting rate is high - meanwhile, walkers never tire.

  • Given all that, Maggie is kind of a bad-ass for powering through for Hershel, but still, #NoDragonsForMaggie. No matter what her opinion of Maggie, Takeerah has always admired the way Maggie repeatedly gets up after every knock-down, e.g. The Reapers. Sherrandy compares it to a little dog trying to take down a bigger breed of canine or, as Dave says, a honey badger, taking down predators like snakes despite its small size. She may not always make the right decision, but still a badass. Takeerah professes that, even though she's not a nice person, she's a good person who she will continue to root for her even if she's not her favorite character.

  • Sherrandy even mentions how Maggie pursued political aspirations after Glenn's murder, rather than that of a badass warrior. Rachael even goes on to say: despite pursing more of a leadership role - allowing her to focus on making her community thrive - this series illustrates how her anger had only festered over time. It may have turned her into a powerful warrior, but it has also caused her to unravel. Sherrandy thinks it hasn't helped Maggie that Hershel is an ungrateful brat of a teenager, though Rachael covers for this saying that he's a teenager in the zombie apocalypse - what do you expect?

  • Bridget goes on to say that Hershel's even more of a little a-hole because he has Stockholm Syndrome. Dave attempts to add to this by asking the gang whether Hershel feels as though, by way of associating himself with The Croat and The Dama, he's taking credit for taking down Negan where his mother couldn't: eliminating the very threat that had made her constantly look over her shoulder all these years, growing up. In doing so, maybe he hopes that this will finally get his mom to see him (instead of constantly worrying about losing him, just like she's lost countless others). The ladies don't really agree, but it was worth a shot.

  • Rachael says goodnight! …but not before dropping a bomb on us: though this series hasn't changed the way she feels about Negan and she was always felt ambivalent towards Maggie, by the end of this series, she definitely does not like Maggie and it mostly comes down to her sad parenting skills. You know what, just let Hershel stay with The Croat…
  • Takeerah qualifies her statement about Maggie not being a nice person, even though there were so many moments where she rooted for her. Her disdain for Maggie is more born out of her general demeanor and things she's said over the things she's actually done. As glad as she was to have her back, Maggie has managed to piss her off since TWD 10x17, Home Sweet Home. Her lies toward Negan are terrible because - and we all agree - Negan would've given his life to help her save Hershel. Sherrandy takes a step back to defend Maggie because, even though she is constantly seeing so much evidence that this may be true, she can't rely on the possibility Negan would sacrifice himself for a variety of reasons. In addition to this, Dave adds that she is finally seizing the opportunity to rid herself of the very representation of the event that has debilitated her - affecting her and Hershel's relationship - for over the last decade. Unlike Takeerah, Sherrandy actually liked seeing independent, bad-ass, honey badger Maggie after she returned to TWD.

  • Dave takes a moment to focus on the moment Maggie glances at The Statue of Liberty, after Hershel expresses his desire to be seen. It's a lot like seeing a reflection of herself: though she, too, is worse for wear, she's still standing. It's also an echo of the kind of person she has shown herself to be and, at some point, it got away from her in the pursuit of vengeance. Maggie even adds to this at the end - almost as a follow-up to what she told Negan about what Macy's meant to her (along with Santa and the broken and lost toys) - that she struggled for so long to hold on to whomever she had she forgot to appreciate the time she had with them when she had it. In essence, she allowed her tragedy to define her.

  • We're reminded of how much shit Rick Grimes even took from the audience after Lori Grimes' death: everybody's lost somebody, Rick, get over it. But Maggie has lost a lot and mostly right before her and the audience's very eyes. Sherrandy compares this to Daenerys Targaryen from Game of Thrones: though she charted her own destiny, while the entire kingdom of Westeros wanted her dead, her cumulative losses drove her to (repeat history and) go mad, in the end. Shaunna calls her selfish and Dave agrees, mostly because Negan probably could've found a way to take out both she and The Croat at any given point in time during his capture, as evidenced by the way he gingerly removes the hand with Maggie's knife to his throat after seeing Hershel again. This indicates what we feel has been the case the entire time: Negan really was ready and willing to give himself up to save Hershel and all she had to do was ask. Sherrandy marveled at Maggie's paralysis seeing Hershel again, which reminded her of the breathtaking expression she had as she approached not Hershel strapped to a chair only two episodes prior and the not so relief on her face after discovering it wasn't him.

  • Takeerah disagrees with Rachael's assessment on Maggie's terrible parenting: she did a fantastic job of keeping Hershel safe in an unbelievably hostile world. Dave and Takeerah both think it's upsetting that Maggie's anger and paranoia became learned-behavior to Hershel and he, too, could never fully feel safe. Is it any wonder why, the moment he is away from her, he finds refuge with a force formidable enough to guarantee that he actually is safe?

  • Negan's encounter with The Dama has a lot of symmetry with Pearlie's status report to NBF's president (played by Jasmin Walker, whom we are calling Smokey for now). Both Pearlie and Negan initially refuse the temptations they are being offered, which aren't appealing to them anyhow, but in the end they are coerced into it in order to get along to get on because there's a greater threat in the wind than just Hershel being threatened by The Dama - as far as Negan knows - or Pearlie's family being harmed by Smokey. Bridget felt that these two scenes were the bang that the made this a great series finale because of the massive setup we have to an even longer and complex season two. Wait'll Smokey finds out that Negan is still alive…

  • But it brings us to a prediction that both Sherrandy and Dave had from the first episode: not only does NBF want to expand in order to achieve Tranquillitas Ordinis, but the resource that Manhattan has that they wish to exploit is the near limitless supply of Methane in the sewers (as a result of all the millions of dead that were trapped down there when the sewers were sealed off by the military during the fall). Bridget and Sherrandy are upset by this because NBF could just make their own methane, but they answer their own question: scale and time (well over 15 years). Dave also mentions that NBF's mission is all about bringing it back to the way it was and part of that is the immediate exploitation of abundant resources in order to live a life of comfort. Dave juxtaposes their society to The Commonwealth's (under Pamela Milton): it definitely isn't the illusion of safety and they have the exact opposite sensibilities (aggressive) when it comes to justice.

  • Takeerah had tried to bring up earlier and Dave, now, uses this as a jumping off point: Negan's role as Manhattan's new warden is to protect them from NBF's encroachment. Their only response is Negan Takes Manhattan, which prompts laughter. But Dave presses on: this could be exactly what The Dama/The Croat described - a clash of civilizations - not limited to just these two factions, knowing what we know about The Walking Dead Universe (The Civic Republic, our friends at The (New) Commonwealth, etc). Takeerah paints a picture of what it might be like for Negan, being placed into his position of power again, having been about 15 years sober, and Dave no longer feels great about him being Manhattan's protector, especially if Maggie's aim is to venture back into hell's maw in order to rescue him. Sherrandy compares The Dama to Martha (from FearTWD) who just wanted to make Morgan Jones strong.

  • The Croat says something very chilling in the ambulance on the way to the prisoner exchange (Negan for Hershel), lucky me, I get to have Negan and the child. While the rest of the gang were disgusted by this statement, and even though The Croat does say that Negan is enough, Dave thinks he is tipping his hand: doesn't he have the child if Hershel continues to draw The Dama and told us, just earlier, that they made him feel safe? In reference to The Croat telling Negan that meeting the Dama is just like introducing mommy and daddy, Sherrandy says, be careful: you may not get the #hatebang you wanted...

  • Bridget leaves for the night, barely getting out the words, They should exchange digits, referring to her desire for June Dorie and The Dama to hang out.
  • After Takeerah mentions how much she admires the beautifully dilapidated state of Manhattan and laughs at The Croat's awkward durag, Dave launches into the music that was playing as Negan meets The Dama for the first time: Die Zauberflöte or The Magic Flute which is an opera by Wolfgang Amadeus Mozart. The story parallels very well to Dead City's in that not all is as it appears: allies turn out to be villains (Maggie playing a very good Queen of the Night). All Sherrandy is obsessed with is who gets Negan's magic flute. Sherrandy, seriously though, says that The Croat and The Dama might be the ones protecting Hershel from Maggie. The one big question that we have to ask is whether The Magic Flute is foreshadowing Maggie's eventual descent into being the big bad of this series, after all. This reminds Dave of how FearTWD, under Dave Erickson, wanted to eventually make Madison Clark the big-bad of the series and wonders whether (Executive Producer and Showrunner) Eli Jorné might've borrowed this abandoned(?) subplot. Dave doesn't like this, but Maggie does eventually acknowledge to Hershel that she's allowed her life to be defined by tragedy.

  • Takeerah stresses that even though it sounds like The Croat understood why Negan tried to kill him years ago, he still doesn't because it wasn't the disobeying of orders: it was refusing to allow a kid-killing and torturing psychopath like him to exist. Dave takes this a little further to illustrate how either extremely intelligent or evil (maybe both) The Dama is when compared to Negan: whereas Negan was more interested in saving people by not having psychopaths like The Croat exist among them, The Dama exploits, disciplines, and refines The Croat's proclivities to her advantage. She clearly knows how to reign him in, somehow, as he is completely subservient (while clearly exhibiting desires to at least share power).

  • And as a result of The Croat's talents and The Dama's talks, they may even have a mole in Hershel, living in The Bricks and maybe even calling upon him when the time is right. It's really, really interesting to note how Negan is oblivious to what they've done to Hershel and The Dama can continue to leverage him under threat that they'll take more pieces of him if he refuses to play along.

  • Takeerah also wanted to take a minute to note how Negan managed to save so many folks and give them purpose like Simon, Dwight, Sherry, and even The Croat. He showed all these people that they still had the power necessary, however broken they felt at the time, to thrive in this broken world. Her big takeaway was that it was a shame that he didn't channel their talents in a more positive way. Dave says it might've been different had he found the right people first, similar to what Judith Grimes says to Gamma/Mary in her cell. He also muses that this ability must be a direct result of his time as an educator and gym teacher, teaching even the toughest kids to harness their potential to be more productive members of society. The problem is that maybe he gave some of these people too much credit and too long a leash, but couldn't help himself: clearly, he waited too long and allowed The Croat to flourish as a child-murdering monster before trying to clean house. Even Simon murdered children at The Oceanside and all the residents of Jadis' heaps before too long.

  • Takeerah asks whether The Dama wants Negan to lead and Sherrandy makes it clear that she wants Negan to be subservient to her. It's a lot like The Hilltop formula: the second-in-command is the more effective leader, while the one in charge takes all the credit. Sherrandy equates The Dama's role to an executive producer, while Negan is the Director: he moves all the players on the board while she institutes the overall strategy.

  • Dave takes a moment to read Emma Lazarus' The New Colossus, some of which is inscribed at the base of The Statue of Liberty. All of this to is to say that this is what Maggie could've been all this time - and still could be - because, throughout all of this, she still stands:
Not like the brazen giant of Greek fame, 
With conquering limbs astride from land to land; 
Here at our sea-washed, sunset gates shall stand 
A mighty woman with a torch, whose flame 
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame. 
"Keep, ancient lands, your storied pomp!" cries she 
With silent lips. "Give me your tired, your poor,
Your huddled masses yearning to breathe free, 
The wretched refuse of your teeming shore. 
Send these, the homeless, tempest-tost to me, 
I lift my lamp beside the golden door!"

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Sunday, October 21, 2018

[RECAP] Season 9, Episode 2 of The Walking Dead, "The Bridge"

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By Carolina Gallardo (@carolgallardo)

The second episode of Season 9 of The Walking Dead is all about bridges...literally, figuratively, in every which way.  Hence the title "The Bridge" which continues to ask the question: Can people truly come together?  Or will there always be conflict?  At least between Saviors & Non-Saviors?  Can a bridge between these once warring parties ever truly be created?  

We start off the episode with a voice over from Rick discussing how they are evolving, building and growing.  We see the fruits of his labor in terms of various members of the community going about their day to day tasks and responsibilities, romantic relationships, all illustrating a sense of normalcy in this dangerous world.  We even see young Henry kiss Carol before running off to his own errands, as she and Ezekiel look on proudly (awww).  We come to realize eventually that this Rick voice over is because this is all being explained to Negan (yes, he's still very much alive, lest you forget) by Rick, as he visits his jail cell.  Rick greatly advocates on how it is in people's nature to come together while it is obvious that Negan greatly disagrees and believes that it is in people's nature to DISAGREE and to engage in conflict.  Rick's annoyance with Negan's disapproval almost gives off the impression that he WANTS to convince Negan of his way, that he CARES what he thinks.  These jail cell conversations will likely continue in the episodes to come (especially you're at all familiar with the comics *ahem*).

In any case, we see in the episode that Michonne ventures to visit Maggie at The Hilltop, as she is trying to tame and redeem a wild horse (metaphorical, no?), in an attempt to appeal to her kinder inner self and convince her to supply the Saviors with food.  Maggie is quick to point out that she has not received the requested ethanol fuel from their camp but Michonne says that the convoy that was to bring over the supplies has gone missing.  

This point comes up again in a conversation between Alden and Rick regarding worker Saviors, therefore we can quickly infer that SOMETHING is going on that these Saviors are being picked off (particularly in light of how the episode ends).  But we'll revisit this topic at the end.

Maggie continues to stand her ground and Michonne begins to question her on what is going on with Earl, the blacksmith.  Turns out that Maggie has him locked up in one of her cells, but because this is a new experience for her, she is not at all sure how long would he be jailed for, what the terms are etc.  Maggie does not want to simply just let Earl go, considering he conspired to kill her, but it is clear Jesus has reservations on her decision.  This is particularly since Earl's wife Tammi implored Jesus to convince Maggie to let her see her husband.  She is incredibly compelling in her distraught in not only losing her son, but now losing her husband in a way, to being jailed.  This interaction certainly seemed to make an impression on Jesus who does try to bring it up to Maggie (in the most gentle way possible of course, considering she did hang a guy, let's not forget).  Maggie is doubtful but it's clear that she values Jesus' opinion and is giving it some thought.

Also, it is worth noting that apparently Georgie (the woman who gave Maggie the handbook "The Key to the Future") has been in regular contact with Maggie on the progress at the communities and has tried to convince Maggie to come and JOIN her.  But, join her...where?  Well, if you're a comic book fan, you likely have an idea where Georgie's from but only time will tell if that's accurate.

Eventually, we see that Maggie ends relents and allows Tammi to have a tender moment with Earl down in the jail cells (which ironically he helped build).  From their heartfelt conversation, Maggie and the audience learns that Earl had a drinking problem.  Maggie ends up having a one on one conversation with Earl regarding his past and ultimately, this allows her to come to the point to decide to set him free to live and work in the community as he once did...but under supervision (a sort of post apocalyptic probation, if you will).  She also decides to have food sent to the Saviors.  An incredibly grateful Michonne asks why the change of heart and Maggie says that it was primarily because her father (the late, great Hershel) also had a drinking problem but HE was redeemable and contributed to the good of so many.  She still stands by her decision to execute Gregory though because to Maggie, he had plenty of opportunities to change and he squandered them all.  Essentially, he was past any redemption.  

The question then becomes, who has the RIGHT to make that call?  On who is redeemable and who isn't?  That's still left to be determined.

On another note, we see a romantic/lustful relationship blossom between Anne/Jadis and Father Gabriel.  Anne seems to have a closer friendship with him than with anyone else and even works on a portrait sketch, based on Gabriel's recollection.  Turns out that this was a sketch of his church organist who he happened to have strong feelings for.  Finally during his night watch, while sitting on a bench, Anne finally makes a sexual move on Gabriel (damn, pretty aggressive Anne), who FULLY reciprocates after he explains that he's Episcopalian, meaning no celibacy for him (damn Gabriel with the smooth words).

What is the MOST interesting however, is what happens AFTER their little stolen moment: As Anne now stands in now as apparently the Watch (holding one of her little wire creatures, I may add), she looks up...and notices the black helicopter flying overhead, causing her eyes to widen as large as saucers.  

Clearly this helicopter is always hovering nearby in some sort of regular observation.  But who is manning it?  Georgie's group?  Someone else altogether?  I have a feeling that we'll finally get a firm answer to these questions this season.


But the focal aspect of this episode all revolves around the bridge, and the repairs needed to be completed in order to unify the areas and also be ready for when a potential roaming hoard eventually comes there way.  We see that both Saviors and Non-Saviors are working on the bridge but the tensions are very high between both sides.  Things come to a head when Justin (one of the Saviors) decides to push young Henry aside in order to gulp up more water than he should, since one cup is being rationed to each person.  Henry decides to take it upon himself to knock Justin down with his stick, something that he does not take lightly.  As he goes to attack Henry, Daryl stops him which becomes an all out brawl between the two men, only to be broken up by Rick.  In a tent scene very reminiscent of a scene out of M*A*S*H (actually, all of the tent episodes felt like scenes from M*A*S*H), Daryl very clearly expresses how he feels that The Saviors are all past redemption.  

This ends up coming up again when The Saviors go AWOL during a log endeavor that ends up being ambushed by a hoard of walkers.  Justin, the Savior that was supposed to be on call and let the workers know that they were coming, wasn't able to for reasons that he said were beyond him.  The result of this is a horrific accident where a log falls on Aaron's arm and essentially crushes it, only be saved by Daryl who rushes him to the infirmary while the rest of the camp fights off the walkers and diffuses the situation.  Aaron's arm unfortunately is beyond repair though and Enid, the new defacto nurse, has to end up making the executive decision that in order to save Aaron's arm, his arm will need to be amputated...and in a gruesome and cringe worthy scene, that is exactly what happens.  

A delirious with anger Daryl enters the tent to confront a non-remorseful Justin who's excuses fall on deaf ears.  Daryl attacks Justin with all the pent up anger in his being, only pulling back because he's forced to.  Eventually we see in the evening time, after dark, that when Justin once again mouths off at this time Rick, he pushes his luck to the point of no return and Rick banishes him back to The Sanctuary.  Justin doesn't bother to wait until morning and opts to head back right then and there...only he never makes it since he apparently sees someone he recognizes and we as the viewer then see that he appears to be knocked out by this said person.

So who this person that is apparently picking off Saviors left and right?  And who's way is right and who's way is wrong?  How can a "more perfect union" be achieved after a war?  And how do we govern moving forward?  It seems that this will continue to be a focus at least in the front half of the season.  The war's over...now what?  That was the easy part but what comes next?  Well, that's decidedly more complicated.

THE WALKING DEAD AIRS SUNDAYS AT 9:00PM EST ON AMC

Tuesday, October 9, 2018

[RECAP] Season 9, Episode 1 of The Walking Dead, "A New Beginning" - SEASON PREMIERE

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By Carolina Gallardo (@carolgallardo)

By the end of the season nine premiere of The Walking Dead, Maggie Greene made a statement to the people of Hilltop and Alexandria and, in turn, new showrunner Angela Kang made her own definitive statement to the audience at large: This was going to be a very different kind of Walking Dead and it's never felt more exciting and reinvigorated.  Not only was this a fun episode to watch that called back to the good old days of the show, but it was also an episode with very little filler and a lot of substance, something we've been sourly needing for some time.

The very beginning of the episode gives us a brief synopsis of the conflict and eventual war with The Saviors, in the form of Rick recounting what occurred, almost as if he's explaining to a newcomer what happened.  We then join Alexandria, sometime in the near future (based on Maggie's baby and Judith, one can infer that perhaps 1.5 to 2 years has passed).  We see that society, more specifically Alexandria, has been rebuilt, it has been rebuilt with the resources now available, as well as with the guidance of Georgie's "Key to the Future" manuscript (remember that?).  We see that the wooden gates of Alexandria are made of spiked logs, there are solar panels being employed and there's of course, the infamous windmill.  And older Rick, Michonne and Judith seem to be living comfortably as they take in their new society with a relaxed happiness that hasn't been seen in some time.

At the same time, back at The Sanctuary, they do not seem to be fairing as well as at Alexandria.  We see that Eugene seems to have set up his post here, along with Daryl as they work to create fuel from the corn crops in the fields.  This is all in anticipation of a supply run in Washington DC proper that allows us to see various members of the different communities united at one time in order to pull off this ambitious feat.

Something to note in this episode that was a welcome change from previous seasons was that rather than segmenting story lines into episodes about SPECIFIC characters (otherwise known as "bottle" episodes), we get to see almost ALL our main characters in this ONE episode.  Obviously on a show where the cast has become much larger than the original group, this is not always simple to do, but the manner in which it was done in this episode was effective and effortless (at least in how it came off to the viewer).

In any case, we finally get to see our crew leave Alexandria and finally tackle a decaying Washington DC proper, with a decomposing Capitol Building and Washington Monument in the backdrop.  Our crew's goal is to pull some much needed supplies and tools from the Museum of Natural History in order to "Learn from the past to inform our present", a reoccurring theme in this episode.  Before entering the museum, however, we get to live vicariously through Rick and Michonne as they take out some Walker Senators, one still in suit and tie.

Not to get too political or anything, but in today's current political climate, that scene was downright therapeutic.  Am I right?

Eventually, Rick and team enter the building, separating into smaller groups, each group with its marching orders on what to find in the museum.  The main items on their list seem to be seeds, canoes, wagon and a plow.  During their exploration, we find out some curious little tidbits of information such as that Anne/Jadis (now going by Anne) was a teacher before the apocalypse; We hear Daryl have an actual conversation!  I, for one, almost forgot what his voice sounded like!  And finally, we learn that a formal election was held at The Hilltop and Maggie was officially voted as the leader, over Gregory.  It's during this time that we see Michonne gaze at a museum display related to the Civil War labeled, "A More Perfect Union".  Fitting, no? 

There's also a fun scene where Father Gabriel kills a walker by a wall mural that's supposed show the evolution of man.  Anne/Jadis jokingly comments how this is now an art exhibit for the De-Evolution of Man.  Ha.



The tension starts up when our team all work together to try and get all of the items on their list down the stone steps and over a glass trellis floor leading to the exit out of the museum.  If that weren't bad enough, the area underneath the glass floor is full of walkers in an area of the museum fittingly entitled "Manifest Destiny".  Most of these items are clearly incredibly heavy and our team has wrapped rope around each person's waist to keep them connected and to provide some additional girth and strength in pulling each piece across the floor.  As they go back and forth over the floor, we start to see cracks developing on the glass, adding to the tension of the scene.  Just when we think our crew was able to just make it, the floor shatters and King Ezekiel throws up the canoe and falls into the lower area, hanging over the horde of hungry walkers below.  Luckily, the rope pulley system is able to pull him up, over and back into safety...and into an embrace from Carol.  Well, that's one romantic relationship confirmed.

Our crew then heads out and back to Alexandria, with their new tools and supplies in tow, with Daryl paving the way and taking out any walkers that cross their path.  During this trip back, we meet some newcomers to our group (most notably the blacksmith's son, Ken) and even witness a proposal from Ezekiel to Carol (which Carol turns down, in typical Carol fashion).  Eventually, they come across Rosita who informs them that the bridge is completely out and they will need to find an alternative route of getting back.  At this point in time, it appears that they have developed a sort of system of passageways that they have labeled Route A, B, C, D, etc.  Regardless, Rick, as per usual, dictates the best course of action, something that Maggie seems to not entirely agree with but goes along with, as per usual.

In the course of this new direction, the group encounters a deep area of mud that causes the wagon to get stuck, to a point that the horses struggle to be able to pull the wagon.  Rick and crew all get out and start to work to push it over and through the mud, not realizing that a horde of walkers have started to meander toward them.  They get the wagon out of the mud just in time, however now they need to fight off the walkers that have descended upon them.  Michonne and Daryl get to work to start taking them down (Daryl now with not only a cross bow but some fun, fancy knife work as well).  Unfortunately, in the midst of all the chaos, the plow falls and breaks and young Ken is bitten by a walker and we are given the impression that his infected arm was cut off, in an attempt to save him.  Alas, it is to no avail, and he passes away, as Maggie tearfully kneels in front of him and finally stabs him in the head.


We see then that a part of group, specifically Rick, Daryl, Carol & Ezekiel enter The Sanctuary to meet with the now subjugated Saviors.  The relationship between Rick and The Saviors is still a very delicate one, as evidenced by those that are vocally appreciative of Rick's willingness to help them with food and supplies...but also by graffiti on the wall stating "Saviors Save Us; We are Still Negan".  At the sight of these words, Daryl immediately orders that the words are painted over and stares disapprovingly as Rick essentially makes nice with The Saviors.  The two longtime friends then have a private moment where Daryl confidentially tells Rick that he is not comfortable being at The Sanctuary at all and feels that he is more useful outside in the woods (Ah Daryl, ever the feral cat).  As much as Rick has high hopes that they can forge "a more perfect union" with The Saviors, Daryl has his doubts, pointing out that this location is a factory and nothing HAS been able to grow there, which is why Negan had people GIVE him things.  After some talking (if you can imagine, Daryl actually having a conversation!), Daryl states that he'll be joining Maggie and the baby at The Hilltop instead (a bit of a slap in the face to Rick).  Afterward, we see that Carol overhead this conversation and she will end up taking up Daryl's post at The Sanctuary, giving her some space from Ezekiel.


Later we learn that Ken was a member of Hilltop, shedding light on why Maggie specifically took his death so much to heart.  As elected leader, this young life was lost on her watch and she takes it upon herself to sit with Ken's parents and explain to them what exactly happened.  As any parents would react after losing their child, they are angry and heartbroken at what they see as the fruitless death of their young son.  A remorseful Maggie offers to hold a funeral service for their son which they tearfully accept, but not without the bitter resentment of what has befallen them.  In a statement that likely speaks for many at The Hilltop, Ken's mother Tammy states "My son is dead, your son has no father and the Saviors eat our food".  Yikes.

A funeral is eventually held in honor of Ken, with Gregory giving what appears to be heartfelt eulogy.  Jesus himself even comments on what he feels is his authenticity.  We end up seeing that it was all a farce and that Gregory was just positioning himself in a sympathetic position to appeal to Ken's parents.  He then proceeds to liquor up his parents and convince specifically Ken's father that his son's death was all the fault of Maggie and that if he was still in control, this all could have potentially been avoided...but there is still a way out of all this.

In what is arguably the most climatic part of the episode, we see Maggie, still heavily burdened with the death of Ken, taking baby Hershel for an evening walk in his stroller.  Gregory runs into her and comments to her that while burying Ken, they noticed that perhaps accidentally, Glenn's grave was defaced.  This of course strikes a chord with Maggie, who proceeds to walk to the grave, stroller in hand.  It's at this point that we see a dark cloaked figure come out of the darkness and tip over the stroller, sending a screaming, wailing baby to the floor, and begin to viciously attack Maggie.  The combination of the baby helpless on the floor screaming and the fighting between Maggie and this assailant raises the level of horror, fear and tension to another level (maybe because I'm a mom?).  Maggie fights back with every inch of her life and at the sound of all the ruckus, Enid comes running only to be thrown to the side and to the floor.  Finally Jesus arrives with Alden in tow and they are able to hold down the figure who is revealed to be Ken's father.

After tending to Hershel, Maggie immediately goes to Gregory's quarters, fully aware that he was the one that orchestrated this assault.  At first he tries to discount her words because of her obvious head injury but as she angrily presses on, he ends up admitting to what he did and what's more, attempts to stab her himself, only to be overpowered by her and having the knife now turned on him.

In the cold light of day, Rick, Michonne and Daryl visit The Hilltop, primarily for Rick to discuss with Maggie the idea of using resources to rebuild the bridge and also borrowing food and supplies to tide over the Saviors for the time being until they can grow viable crops.  They are shocked to see Maggie's black and blue face, but her recent assault seems to be the last thing she wants to discuss.  With that in mind, Rick begins to discuss with her his plans and the things that he needs from her but Maggie has very clear terms: Labor is fine, Food is fine...but supplies will only be granted if the Saviors give up all their fuel and provide most of the labor needed for the bridge.  Rick implores Maggie to be more generous with them but she is firm in her stance that they lost the war and these are the repercussions.  Damn.  She also makes a point that she cannot solve their problems when she has her own problems here that she needs to figure out.  No handouts here from Maggie Rhee, clearly.

She then states what we have been seeing repeatedly in the trailer which is that Rick chose not to listen to her back when they defeated the Saviors but that all changes now.  Maggie then states that it's getting dark and it's time to put the kids to bed.  And we end up seeing for good reason.

It is now nightfall, and we see there is a large ominous gathering outside at the Hilltop (with Rick, Michonne and Daryl present), all with sullen faces and torches.  Maggie makes it clear that she doesn't want to have to do this but at the Hilltop "the punishment fits the crime".  She then turns and asks someone if they have any last words.  We then see that she is referring to Gregory, who has been positioned on a horse, with a noose around his neck, ready to be executed.  Gregory screams that they shouldn't do this and that she's only doing this at night because she's ashamed.  Maggie, unflinchingly, denies being scared and orders Daryl to proceed in pushing the horse, which he does to Michonne's horror because two children happened to run out just at this moment.  But it is far too late.  Gregory is promptly hung, as Maggie states for this to be a lesson to all and orders him to be cut down.  Damn Maggie.

Overall, this episode largely focused on what happens AFTER a war: How do we GOVERN?  How do we UNITE once divided factions into a contributing, functional society?  We have someone like Rick that takes on a benevolent, almost Socialist approach, ensuring that everyone's needs are met.  Then we have someone like Maggie who has a far more Authoritarian approach and believes that she needs to look out for the needs of her people FIRST, before she can solve the problems of others (particularly others that were once the oppressors).  Nowhere is their diverging styles more apparent then in their approach to Crime & Punishment: Negan murdered Glenn, Abraham and various others and was essentially granted life in prison; Gregory attempted first degree murder on Maggie and was immediately publicly executed as an example to all.

This new way of thinking about recreating a governing society in the backdrop of a wasteland is a captivating one, particularly when bearing in mind the natural human conflicts that occur when trying to form a "more perfect union".  The Walking Dead is heading into some uncharted territory for the first time in a long time and it is fascinating and exciting to watch again.  Maggie Rhee and Angela Kang have certainly made their point loud and clear to all.   

THE WALKING DEAD AIRS SUNDAYS AT 9:00PM EST ON AMC

Saturday, July 22, 2023

Stories We Tell Ourselves |1x05| The Walking Dead: Dead City

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Clinical narcissism isn't self obsession; it's the reliance we have on an image we've constructed of ourselves that we show the world and believe in. It's what we all do, to varying degrees, to get by. What can happens when someone shows us our own self-image is false?
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David Cameo:
Rachael Burt:
Sherrandy Swift:
Bridget Mason-Gray:

  • This episode contains theater elements and has some comparisons to Les Misérables, which pairs very well with Negan (a la Jean Valjean) saving Marshal Pearlie Armstrong in the last episode (though it's not as though his crime was stealing a loaf of bread).

  • We hesitate expressing annoyance with Maggie Rhee's actions during this episode, less for questioning her lies to Ginny and more over not taking the oxygen after Tommaso and Amaia tragically pass. And as much as Ginny's actions (being a stupid kid) annoy us, at least we completely understand where she's coming from. Rachael had low expectations for the series but is truly impressed, this far in. Speaking of expectations, of course some of the characters we've grown to love have all died (mostly because of our protagonists?).

  • Sherrandy was especially annoyed with Maggie's refusal to take oxygen. It could be seen as penance for planning to turn Negan over to The Croat, but it's hard to believe that Maggie would harm herself and impair her ability to rescue Hershel Rhee.

  • In the previous episode, we explored the possibility of someone tipping off The Croat: finding out Tommaso was The Croat's inside man was a little gratifying. As mad as that makes us, considering how tragically Tommaso's decision plays out, it was interesting to explore the parallel of Tommaso and Maggie both having sacrificed their people to protect their future: on The Walking Dead, Maggie and Glenn Rhee were taken hostage by Phillip "The Governor" Blake and gave up The Prison's location to protect one another from unspeakable acts.

  • Dave empathizes with Maggie's refusal to take oxygen amidst the methane gas filled sewers: she's had a hard time silencing her better angels, unsuccessfully (for the most part) - considering how she's saved Ginny a few times - which goes against her best interests. After all, Jenkem numbs her suffering and is, perhaps, helping her to plow on. Dave is satisfied with everyone else's reasoning, too: Maggie's also not thinking clearly due to Methane exposure.

  • Still, many think it would've been wiser for her to wait until they were out of the sewers before Maggie confronted Tommaso about his betrayal to The Tribespeople and, moreover, Amaia. Dave feels she made a calculated decision since there was no telling what fate lies for her, topside. If The Croat was double-dipping, and considering the state of the world, he could easily break the deal they had since she doesn't even have Negan in tow. Maggie & Ginny weren't even supposed to be with Tommaso and Amaya since there were only two oxygen tanks, so its possible Tommaso would've found a way to get rid of them (regardless of whether he would've been successful). We go back to methane exposure as the source of Maggie's problem.

  • What frames the way Maggie is feeling right now are the examples, out in the world, of people who just didn't make it, like the dweller(s) of the avant-garde artist hideout. Even if a given shelter is physically safe, it doesn't guarantee you'll be mentally strong enough survive the zombie apocalypse, especially on your own. We shift our focus to the refrigerator entrance, which reminded Dave of his visit to Meow Wolf in New Mexico: an immersive art installation experience. On a more personal level, when Dave was in his twenties, travelling back and forth from Brooklyn to The Bronx for work, he used to marvel at a similar style of art that was always changing (sometimes on the same day) located where the FDR Drive meets the Harlem Drive, under both the onramp/exit of the Triboro Bridge (now called the RFK Bridge).
  • Along with Sherrandy mentioning productions that were filmed in her hometown, Dave indicates that the scene where Negan reveals to Pearlie he's a gym teacher and walkers emerge in front of Dan's Hats & Caps is filmed in Newark, right outside his day-job's colocation/datacenter.

  • 🎖️SURVIVORS Tier Member, Takeerah mentions in the chat that Newark is commonly called Brick City and we discover that (what we've been referring to as) New Hilltop is actually called The Bricks. Brick City reminds the North Carolinians of pizza chain Brixx Wood Fired Pizza, which is where we completely lose the thread.

  • What we found fascinating, which we ultimately attribute to poor thinking as a result of methane poisoning, is how Maggie doubles down on the lie she told Ginny about The Croat taking all their food and grain knowing (this episode, for certain) Ginny was at The Brick and could've uncovered the lies Maggie has been telling Negan. On top of this, Maggie is constantly having to access the rage she has inside of herself (suffocating her better angels) in order to commit herself to exchanging Negan for Herschel.

  • Negan is seen playing with a Statue of Liberty souvenir, which is a callback to the story he told Maggie about he and his father in the first episode. This makes us wonder whether the Statue of Liberty is still standing. The French constructed The Statue of Liberty out of copper: not only had it gradually oxidized and turned green after 30 years of exposure to the saltwater air, but has needed continuous maintenance to remain standing. Over the last few hundred years, we wondered how much of its original materials were even left after so much replacement. Though far enough from any shore, an errant explosive might've taken down some or all of it.

  • We turn back to The Croat's actual attack on The Bricks and whether there was even one to begin with. After trying to run some sort of cover for Maggie by ascertaining the timeline of events (maybe their grain was replenished?), we doubt we can: it seems there's some timeline mentions in the first episode that indicate it was soon after their encounter. We witnessed the demolished front gate, so there was clearly a demonstration of power. On the other hand, nothing was stolen other than Hershel. This episode reveals the only thing The Croat wanted (for The Dama) from Maggie was to retrieve Negan.

  • What truly shocked us and freaked Maggie out was whether The Croat would stop with Hershel since he offered The Bricks as a safe haven for Tommaso and Amaia. Will The Bricks be taken over or at least plundered by The Croat/The Dama, afterwards (a la The Saviors)? Dave thinks The Dama has no plans for expansion beyond Manhattan's borders and is even worried New Babylon Federation might encroach on their territory (Tranquillitas Ordinis). She is also reading Frontiers of Historical Imagination by Kerwin Lee Klein, which both critically and sympathetically examines historical analysis of the western expansion of The United States. The irony is that The Dama successfully eliminates the native population, AKA The Tribespeople, and The Croat is constantly reciting Doma Smo (we are home, in Croatian): meanwhile, he and his Burazi are effectively colonists. The story The Croat tells himself - and The Dama - is that he has Negan within his grasp. Negan Smith is compared to John Smith and the girl who survived the Burazi attack on the firehouse (The Croat calling them barbarians) is Pocahontas.



  • Emily mentions that she's a little disappointed that the show doesn't, in her mind, expand The Walking Dead Universe. Bridget mentions how Tales of The Walking Dead attempted to do that, regardless of how it was received by the wider audience. In an even more narrow way than The Walking Dead: World Beyond, Dead City sticking to one corner of the universe and thoroughly exploring a narrative, while dropping small TWDU nuggets along the way, tells an overall better story while connecting to and slightly expanding the greater universe.

  • We turn our focus to The Dama herself and the actress who plays her, Lisa Emery. She and her relationship to The Croat is very similar to Pamela Milton and Lance Hornsby. You may remember Lisa Emery's stellar portrayal of the wildly unpredictable Darlene Snell in Ozark. Having been a stage actress for many years and hailing from Western Pennsylvania, she's most-likely intimate with the kind of overly-entitled, prima donna Broadway actor she's attempting to portray. Our excitement over Lisa's admittance to TWDU is similar to Kevin T. Carroll's, who played Virgil, but we hope she features for quite a while longer. Lastly, Dave expresses his disgust (with all things woo) after learning the woman who exited The Dama's chambers, before we meet her, was receiving a tarot reading. It reminds him of their discussions on mentalism and homeopathy during their breakdown of Shadow Puppets (TWD: World Beyond 1x06).

  • As we enter The Dama's chambers, we're greeted by the sound of Una Fortiva Lagrima by Gaetano Donizetti. The song is about a perceived (from the singer's POV) shared moment of love between two people (perhaps The Croat is under a delusion that he and The Dama love each other?). Everyone thinks what this song represents, The Croat's simpering and pathetic nature, and even The Dama's distaste over his physical deformity is all very disgusting. Another song, played loudly and noisily by a new group's member beforehand, was Anything Goes by Cole Porter. The song's theme explores the erosion of the social mores over time and how every generation, thereafter, seems to engage in increasingly crazy behavior: Plus ça change, plus c'est la même chose. But does this mean we're to expect an incredibly awful death in the next and final episode of the season?

  • Bridget can't help but jokingly mention: because Pearlie doesn't constantly praise New York City, he must not be not a real New Yorker. The ladies are just jealous because he and Dave live in the center of the universe and they can masticate on a satchel of Richards whilst loitering in Lisa Emery's memorial box in King Francis theater.

  • The ladies will never understand a man's desire to touch and sniff gross things the way Tommaso does the wall of rendered human fat. The fatslide looks like all the world's McDonald's burger traps poured into this one spot in the New York City sewer system. Sherrandy's favorite thing was The Walker King. Bridget noted that the episoder insider showed how this feat of horrific brilliance was predominantly comprised of practical effects (with puppeteers and animatronics), much like a Jim Henson's Creature Shop production. The faces bursting through the body of The Walker King were a lot like Freddy Kreuger's chest - bursting with his victim's souls - in A Nightmare on Elm Street 3: Dream Warriors. Of course, the Crypt Keeper-esuqe jump-scare of the last walker was a great homage to Tales from the Crypt on HBO. Sherrandy has to mention that this is what a walker orgy must look like (which harkens back to a similar discussion we had at the top of one of our episodes).


  • The pulled-back and excellently framed shot of Maggie observing Ginny's work - the word Liar smeared in blood - was visually striking. Just beforehand, the way the camera angle starts out depicting Ginny and Maggie upside down, then slowly flipping the camera right side up as they pass, created an impressive effect that unmoored the audience and implanted them inside their woozy headspace.

  • Pearlie's line about cutting-off his brother, Joel Armstrong, in in New York City three years before the fall (Dave thought) was the most crucial line in the episode and represented a paradigm shift in Pearlie, "He was left to die alone on the worst possible place on the planet. Is that what he deserved? Is it really so black and white? You'd asked me back then I would've said yes. But now? I don't know. Is it gray? Is it something else? Tranquillitas Ordinis: What if it's storis we tell ourselves to sleep easier?"
    This demonstrates Pearlie's moral absolutism prior to the events of the fall of humanity, but The Walking Dead Universe is an opportunity to be what we were meant to be. What's ironic is that Maggie isn't sleeping any easier, despite the lies she keeps telling herself. The Croat feigns supremacy over Manhattan, yet we bear witness to his pathetic behavior in his boss' presence.

  • Despite her unsettling welcome to TWDU, we're concerned we won't see more of Lisa Emery's incredible acting since the upcoming episode is the season finale, which will undoubtedly leave us with more questions than answers. This insular story has immense potential to go further and grander than where we are at present. New Babylon Federation might, in fact invade as Dave predicted in the first episode (we learn that this is something The Dama fears in this episode), which might ripple outward towards larger threats like The Civic Republic (Military), which we know has at least a base in upstate New York. Might we see Leo Bennett and other characters from TWD World Beyond and will the Rick Grimes and Michonne spin-off cross over into the current storyline?

  • We, too, spin-off into a possible field trip, (funded entirely by...just kidding) guided by Shaunna. Rachael tells us about a special memento - a cane she still has in her posession - from Epcot Center to help her father stand while he was battling cancer.
  • The theme of this episode is self-deception: more specifically, clinical narcissism. This series revolves around Maggie's struggle to maintain a certain image of herself, all the while undermining that image by committing the despicable act of lying and trading Negan's life for Hershel's. Regardless of his intent, Tommaso ends up giving up the lives of all his people (along with, ultimately, his own and his beloved's) in exchange for a better life with he, Amaia, and what was supposed to be his unborn child. The Croat gives up his reign over Manhattan just to be with the woman he loves. Pearlie tries to make the most of his post apocalyptic life by dealing out justice, while a letter from his big brother burrows its way into his soul. All of these folks had to put up an image of themselves to believe that they were doing the right thing in order to get what they wanted and, truth be told, we don't blame anyone for their decisions.

  • The full flashback to when The Croat kidnaps Hershel and strikes a deal with Maggie is revealed, the end of which - her silent scream - is a callback to the very first scene of her scouting the lower west side of the island and having to kill the well-walker-looking zombie. Dave thinks that by virtue of her being there without Negan in that first scene, Maggie was at least initially trying not to have to involve him, whatsoever. The ladies aren't buying this. At the very least, the show does a good job of linking these moments, between these two scenes, together and nothing is wasted.

  • While Emily comments on Maggie's ability to slay, with her outfits, we wonder if Maggie partially blames herself for Tommaso's & Amaia's deaths. Though Luther's death was pretty anti-climactic, what lives on is his (now) righteous objection to allowing his people to be involved in Hershel's rescue. The methane exposure, however, takes the lions share of the blame, especially after they all lose their senses and use the dead bodies surrounding them as couches. Though, in their defense, none of them reanimated in their presence due to their impaired sense of smell, considering their permeating pungent stench. Still, the rest of the characters besides Maggie should've had enough oxygen to make some rational decisions, to the estimation of some. Maggie, herself, was so impaired, she put Ginny's safety above her own, even throwing her the very backpack that contains the dino plushie, flare, and beeswax.

  • For the third time, we mention TikToker, @ClashedPR, who finally released a full-length video on the subject of the lack of Variant Walkers in this series. Although we may have noticed some in the last episode, Bridget also spied some of the horde outside the avant garde art shelter parking lot moving faster and more aggressively than normal. We don't necessarily mind this and prefer it over the full-blown, suddenly appearing variants at the end of The Walking Dead's remaining episodes. This brings to mind the Daryl Dixon spin-off and how the attempt at a cure bred more fast-moving, 28 Days Later-esque variants in France.

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